Uncut's Scores

  • Music
For 5,828 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.8 points lower than other critics. (0-100 point scale)
Average Music review score: 69
Highest review score: 100 Manafon
Lowest review score: 10 Let Me Introduce My Friends
Score distribution:
5,828 music reviews
    • 89 Metascore
    • 100 Critic Score
    It feels like one of the landmark American albums of the century so far. [Jan 2008, p.86]
    • 89 Metascore
    • 100 Critic Score
    [A] breathtaking, virtually flawless album. [Sep 2002, p.104]
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    • 89 Metascore
    • 80 Critic Score
    Finds Muller reviving a lush disco spirit he once discretely discarded. [Jul 2005, p.92]
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    • 89 Metascore
    • 80 Critic Score
    Concise at 12 tracks, the stylistic coherence seldom fails to engage. [Feb 2007, p.73]
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    • 89 Metascore
    • 80 Critic Score
    As bootlegs from the period have shown, there's a good three hours of stuff out there from these and the so-called "Brown Star Sessions" for Clear Spot. On the fourth disc here, you can find the pick of it. [Dec 2014, p.85]
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    • 89 Metascore
    • 80 Critic Score
    Anthology is no means definitive, but it remains a comprehensive overview of a terrific and influential band. [Aug 2014, p.89]
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    • 88 Metascore
    • 80 Critic Score
    If nothing can quite replicate the excitement of hearing these songs for the first time, the first disc of this double-CD set makes a good job of restating the importance of The Smiths as a singles band.
    • 88 Metascore
    • 80 Critic Score
    The first disc of 4CD retrospective of their early mid-90s work is an embarrassment of riches. [Feb 2012, p.84]
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    • 88 Metascore
    • 90 Critic Score
    Songwriting of the highest calibre. [Sep 2003, p.104]
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    • 88 Metascore
    • 90 Critic Score
    You don't expect progression from such evident classicists, but there's a new clarity, poise and refinement. [Apr 2004, p.107]
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    • 88 Metascore
    • 80 Critic Score
    32 years on from Swans' formation, Michael Gira is not only still moving forward, but making some of the albums of his career. [Jun 2014, p.81]
    • 88 Metascore
    • 80 Critic Score
    Their heaviest to date. [Nov 2005, p.108]
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    • 88 Metascore
    • 80 Critic Score
    In the jigsaw puzzle that is Bob Dylan, The Whitmark Demos are crucial pieces, and it's easy to get lost in the depths, the sheer audacity and beauty, of this music. [Nov 2010, p.107]
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    • 88 Metascore
    • 90 Critic Score
    A classic of modern psychedelia. [Jun 2005, p.113]
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    • 88 Metascore
    • 90 Critic Score
    Like any new city, this album may take some getting used to--there's beauty everywhere, but the streets are far from a neat grid. But as you walk them, Holter's genius as a sonic town planner reveals itself. [Sep 2013, p.96]
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    • 88 Metascore
    • 80 Critic Score
    Bad As Me is the sound of a supremely confident artist convening a raucous celebration of his own myth, and is multifariously marvellous. [Nov 2011, p.78]
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    • 88 Metascore
    • 80 Critic Score
    All are very good indeed.
    • 88 Metascore
    • 80 Critic Score
    Return To Cookie Mountain sees TV solidifying their more ethereal tendencies into denser compositions. [Aug 2006, p.100]
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    • 88 Metascore
    • 90 Critic Score
    Both adventurous and accessible, a record in love with the obliterating power of sound. [Apr 2003, p.120]
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    • 88 Metascore
    • 80 Critic Score
    The nostalgic tug of the earlier, dancier singles remains strong, but as a bonus disc of rarities demonstrates, their experimental side is equally compelling. [Mar 2012, p.101]
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    • 88 Metascore
    • 70 Critic Score
    Its initial oddness now just sounds like a ramshackle tryout for what was to follow. [Jun 2012, p.91]
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    • 88 Metascore
    • 90 Critic Score
    A singular, rhapsodic triumph. [Apr 2007, p.94]
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    • 88 Metascore
    • 90 Critic Score
    Not for the faint-hearted, Damien Jurado is a habit which won't necessarily bring joy to the listener. But once acquired, you will find it hard to kick. [Apr 2003, p.106]
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    • 88 Metascore
    • 80 Critic Score
    Banhart's free-flowing oddness makes most musical eccentrics seem self-conscious and predictable. [Jun 2004, p.90]
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    • 88 Metascore
    • 80 Critic Score
    She uses her voice as well as she ever has, giving the moods light and shade. [Sep 2001, p.104]
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    • 88 Metascore
    • 80 Critic Score
    From A Basement... returns us to the more unfiltered, denuded sound of his earlier [albums]. [Nov 2004, p.106]
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    • 88 Metascore
    • 100 Critic Score
    Almost every tune sounds like a hit. [Dec 2001, p.108]
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    • 88 Metascore
    • 80 Critic Score
    Radiohead have made their most well-behaved, classically structured album since "OK Computer."
    • 88 Metascore
    • 80 Critic Score
    This isn't mere sonic overload; Corin Tucker and Carrie Brownstein's vocals are still towering. [Jun 2005, p.107]
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    • 88 Metascore
    • 80 Critic Score
    Spoon's secret is that this tension is never quite released, the martial beat never breaks down, full rock music never quite kicks in. [Oct 2002, p.120]
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