Uncut's Scores

  • Music
For 11,089 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.1 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11089 music reviews
    • 73 Metascore
    • 100 Critic Score
    There are some outstanding songs here, and Jagger turns in a series of performances that are their match, full of much defiant flouncing, strutting bitchiness, preening arrogance, snarling haughtiness and a typically provocative misogyny. [Album of the Month, Oct 2005, p.92]
    • Uncut
    • 68 Metascore
    • 100 Critic Score
    A world away from their ladrock roots, you might say.
    • 97 Metascore
    • 100 Critic Score
    Weighty and impressive. [Dec 2016, p.49]
    • Uncut
    • 90 Metascore
    • 100 Critic Score
    The first record in a long while I've wanted to play again immediately after it's finished. [Album Of The Month, April 2002, p.92]
    • Uncut
    • 65 Metascore
    • 100 Critic Score
    All that is good in hip hop is here. [Jul 2003, p.111]
    • Uncut
    • 93 Metascore
    • 100 Critic Score
    The proof is in the music; it sounds juts great. [Jan 2012, p.98]
    • Uncut
    • 85 Metascore
    • 100 Critic Score
    Staggeringly good.
    • 89 Metascore
    • 100 Critic Score
    It's the freshest, most exciting and far-reaching left-field album in years. [Jun 2003, p.102]
    • Uncut
    • 85 Metascore
    • 100 Critic Score
    Doves have delivered, with honesty and affection. All other guitar bands this year will seem like a scratchy sideshow. [Jun 2002, p.110]
    • Uncut
    • 80 Metascore
    • 100 Critic Score
    Here, his luxurious voice, weathered and warm, sits atop intuitive improvations from the likes of Christian Fennesz and Evan Parker. [Nov 2009, p.106]
    • Uncut
    • 90 Metascore
    • 100 Critic Score
    Waits does nothing predictable here, and the structure of even the most forlorn tear-jerker is ambitious and avant-something-or-other. [Co-Album Of The Month, June 2002, p.106]
    • Uncut
    • 78 Metascore
    • 100 Critic Score
    A dozen remarkable tracks. [Feb 2006, p.78]
    • Uncut
    • 72 Metascore
    • 100 Critic Score
    Hailing from the wrong coast, the Charleston, South Carolina-based Explorers Club have done the near-impossible, turning an obsession with everything Beach Boys into an utterly beguiling pop album. [June 2008, p.88
    • Uncut
    • 82 Metascore
    • 100 Critic Score
    Something's happening wherever you turn on tracks that are dense with detail and brilliant accumulations of incident, but never overwrought or too busy, sheer grace their common link. [Sep 2011, p.80]
    • Uncut
    • 99 Metascore
    • 100 Critic Score
    Hills and valleys, warts and all, Complete Columbia is simply a singular, staggering body of work, throwing down challenges in all directions.
    • 85 Metascore
    • 100 Critic Score
    To devotees, however, it sounds very much like a second masterpiece: a different kind of epic to "Ys," and one with enough hooks and charms to ensnare at least a few Newsom agnostics. [Apr 2010, p.82]
    • Uncut
    • 79 Metascore
    • 100 Critic Score
    Could very well be the best record of this restlessly self-critical career. [Jul 2006, p.90]
    • Uncut
    • 93 Metascore
    • 100 Critic Score
    R.E.M. were already walking head and shoulders taller than most by now, but Life's Rich Pageant was nevertheless a startlingly great leap forward. [Aug 2011, p.102]
    • Uncut
    • tbd Metascore
    • 100 Critic Score
    The most original debut by a Manchester band since Squirrel & G-Man Twenty Four Hour Paty People..., maybe even Unknown Pleasures. [Sep 2002, p.116]
    • Uncut
    • 76 Metascore
    • 100 Critic Score
    Tin Can Trust is a masterful album from an undeniably great American band, at the peak of its considerable powerers. [Sep 2010, p.88]
    • Uncut
    • 85 Metascore
    • 100 Critic Score
    Fever To Tell is, quite simply, magnificent.... This is as revitalising a debut as could be hoped for. [May 2003, p.92]
    • Uncut
    • 99 Metascore
    • 100 Critic Score
    This boxset – beautiful, thorough, a labour of love, offers an opportunity for many more of us to hear and to reconsider Nyro’s music; to sit there, like Alice Cooper, and go, “That’s songwriting.”
    • 83 Metascore
    • 100 Critic Score
    The sharpest, most imaginative and downright listenable album of Blur's career to date.... A grown-up alt.rock album of breathtaking potency and invention. [Album of the Month, June 2003, p.90]
    • Uncut
    • 82 Metascore
    • 100 Critic Score
    The thrill it provides will send a shiver of recognition through anyone who grew up with The Specials, The Smiths or Parklife. [Album of the Month, March 2006, p.86]
    • Uncut
    • 75 Metascore
    • 100 Critic Score
    They continue to find some clever ways to do a pretty dumb thing. [Jul 2007, p.112]
    • Uncut
    • 77 Metascore
    • 100 Critic Score
    With Spoils, Alasdair Roberts has delivered his finest work to date. [May 2009, p.95]
    • Uncut
    • 77 Metascore
    • 100 Critic Score
    Like 1999's The West, The Civil War negotiates a fragile entente between Americana and electronica, but does so on a bigger, constantly astonishing scale. [Oct 2003, p.122]
    • Uncut
    • 83 Metascore
    • 100 Critic Score
    In just over 35 minutes, the Bonnie Prince's mastery of form, blend of gentle awe and trembling sweetness are distilled to their essence. [Album of the Month, Feb 2003, p.74]
    • Uncut
    • 84 Metascore
    • 100 Critic Score
    Their scratchily rhythmic guitar music with dour, sardonic vocals has proved immensely influential. [Dec 2006, p.114]
    • Uncut
    • 72 Metascore
    • 100 Critic Score
    Confirms Doves as the country's most innovative rock group. [Mar 2005, p.94]
    • Uncut