Uncut's Scores

  • Music
For 11,072 reviews, this publication has graded:
  • 50% higher than the average critic
  • 5% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.1 points lower than other critics. (0-100 point scale)
Average Music review score: 72
Score distribution:
11072 music reviews
    • 80 Metascore
    • 60 Critic Score
    It's an intense, at times crazed live-in-studio session. [Aug 2011, p.104]
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    • 80 Metascore
    • 60 Critic Score
    Harvey maybe a bit too in love with a crunchy delay/distortion footswitch combo, but the likes of "Space Monkeys," he and his younger guys make a creditable, spacey blues. [Jan 2017, p.27]
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    • 80 Metascore
    • 60 Critic Score
    Silver Age revisits Sugar's thick-set pop style. [Nov 2012, p.79]
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    • 80 Metascore
    • 50 Critic Score
    The Staten Island quartet blend the fixtures and fittings of noisy US slacker rock--Sonic Youth drones, Pavement squalls--but add a bubblegum pop sensibility. Their vocalist Joseph D'Agostino, however, remains something of an acquired taste. [Oct 2016, p.26]
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    • 80 Metascore
    • 60 Critic Score
    His willingness to scribble over the pretty surfaces of his songs brings a bristling edge to his Beatlesque pop. [Feb 2008, p.79]
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    • 80 Metascore
    • 60 Critic Score
    The finest moments... prove to be the same stripped-down verbally deft hip-hop that made their name. [Oct 2005, p.100]
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    • 80 Metascore
    • 60 Critic Score
    Depending on your mood or generosity, these are either indulgently doleful or movingly ascetic in their dutiful repetitions--worth investigating either way. [Jan 2015, p.71]
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    • 80 Metascore
    • 60 Critic Score
    Sundfor's first for Bella Union suffers from an occasional excess of affectations, her melismatic vocal style an acquired taste. Fortunately, she's best at her most intimate, this sixth collection's dominate quality. [Sep 2017, p.38]
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    • 80 Metascore
    • 60 Critic Score
    The Trio's third album is similarly, unconventionally earnest, often doing for the New Romantics when Gayngs did for 10cc. [Nov 2011, p.84]
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    • 80 Metascore
    • 60 Critic Score
    It ain't always pretty. [Oct 2009, p.104]
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    • 80 Metascore
    • 60 Critic Score
    Plenty of liturgic rumbling, but it really works when she aims for something greater. [Dec 2020, p.39]
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    • 80 Metascore
    • 60 Critic Score
    Wolf's twofold skillfulness and stirring guest performances compensate for the sometimes overcooked arrangements. [Apr 2010, p.109]
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    • 79 Metascore
    • 60 Critic Score
    That it works at all is thanks to a dense, cartoonish production that sees dusty breaks. found sounds and snippets of conversation tossed together like the contents of an upturned toy box. [Jul 2005, p.96]
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    • 79 Metascore
    • 60 Critic Score
    The results are alluring warped but this groovy nostalgia is now a well-trodden path. [Dec 2015, p.76]
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    • 79 Metascore
    • 60 Critic Score
    Theirs is a sophisticated, finely nuanced sound, lynchpin Aaron Turner's vocals notwithstanding. [Jun 2009, p.88]
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    • 79 Metascore
    • 60 Critic Score
    Lenses Alien harnesses the singular vision of singer and guitarist Joseph D'Agostino to finely nuanced, feedback-soused art-rock. [Nov 2011, p.83]
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    • 79 Metascore
    • 60 Critic Score
    Ultimately it's a record that happily exists in something of a fog - wilfully embracing hazy, almost groggy textures. [Jul 2023, p.30]
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    • 79 Metascore
    • 60 Critic Score
    Son
    Son's patchwork of fluttering loops and vocal delays align Molina with kindred spirits Animal Collective, though her listless delivery can dull proceedings. [Jun 2006, p.106]
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    • 79 Metascore
    • 40 Critic Score
    This is pretty gloomy going, not rendered much easier by the lugubrious baritone in which Beck delivers his emotional autopsies, or the vague, amorphous melodies. [Nov 2002, p.116]
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    • 79 Metascore
    • 60 Critic Score
    The album is most fun when it plays up to the contours of Karen O's idiosyncratic voice. [Apr 2019, p.32]
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    • 79 Metascore
    • 60 Critic Score
    Over the full 82 minutes, though, 93696 can feel a little relentless, undone by the scale of its own ambition. [Apr 2023, p.32]
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    • 79 Metascore
    • 60 Critic Score
    Fiendishly clever, but not easy to love. [Oct 2009, p.104]
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    • 79 Metascore
    • 60 Critic Score
    May has a knack for hooks and titles. [Oct 2017, p.32]
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    • 79 Metascore
    • 60 Critic Score
    Power pop without the escapism. [Apr 2005, p.105]
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    • 79 Metascore
    • 60 Critic Score
    "Die" is generic glam riffage, and "Magic" is a tedious Britpop stomp, but there are many successes. [Oct 2011, p.86]
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    • 79 Metascore
    • 60 Critic Score
    If there's a signpost that Cripple Crow isn't quite the record it could've been, it's that the most engaging moments here recall Banhart records past. [Oct 2005, p.96]
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    • 79 Metascore
    • 60 Critic Score
    Too often La Vie Est Belle, produced by Boxed In's Oli Bayston, has all the flair of an Editors potboiler, so a potentially uplifiting record becomes quite draining. [Nov 2015, p.80]
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    • 79 Metascore
    • 60 Critic Score
    At 15 tracks, it outstays its welcome, but in small does this is deliciously addictive. [June 2008, p.86]
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    • 79 Metascore
    • 60 Critic Score
    He may be treading water a little until he really gets into his groove as the 21st century Sondheim, but Distortion at its best is beguiling and quietly devastating.
    • 79 Metascore
    • 60 Critic Score
    It has its Mr. Fox-y moments but this feels like a minor clanger. [May 2012, p.83]
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