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1,000 Years Image
Metascore
76

Generally favorable reviews - based on 18 Critic Reviews What's this?

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  • Summary: This is the solo debut album for the Sleater-Kinney singer/guitarist.
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  • Record Label: Kill Rock Stars
  • Genre(s): Pop/Rock, Alternative/Indie Rock, Alternative Pop/Rock, Indie Rock, Alternative Singer/Songwriter
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Top Track

It's Always Summer
The hotel bars stays open long The party noise is audible I'm on a phone call ten years long Is our connection breaking down? It's always... See the rest of the song lyrics
Score distribution:
  1. Positive: 16 out of 18
  2. Negative: 0 out of 18
  1. Seth Lorinczi provides the right shades of darkness‑-sometimes enticing, sometimes engulfing‑-as Sleater-Kinney fans long for a bright and cleansing breakout. They get one as "Handed Love" goes out, when Corin shouts her desperation and rips off a riff, then tops the outburst with the even more rousing "Doubt."
  2. 1,000 Years is an uplifting album, despite some of the painful imagery. Sometimes wallowing in the past isn't such a bad thing, especially when, like it did for Corin Tucker, it moves you forward.
  3. Shorn of Brownstein's intricate guitar playing, Weiss' wonderfully impatient drums and her USP: The Tool, The Voice, Tucker is operating at brave distance from her comfort zone. In doing so she's unveiled a whole lot of other things she's good at.
  4. 1,000 Years is a determined effort to go beyond a somewhat burdensome past--and a statement that Tucker is eager to express what's both beautiful and difficult about full adulthood.
  5. She's not shredding the awesome vocal cords so much, but she gets fierce in other ways, trying on cellos and piano ballads. When she finally cranks it up Sleater-Kinney-style on "Doubt," it feels earned: a cry of self-determination, as inspiring as ever.
  6. This is a record with a staggering perspective, one that Tucker has earned over the years and doesn't sound forced or self-righteous in any way.
  7. Corin Tucker's voice--always so uniquely emotive in the punkier contexts of S-K--looms uncomfortably over songs that sound scrapbooked from other '90s-centric acts (Liz Phair, Pavement) but never take on a form of their own.

See all 18 Critic Reviews

Score distribution:
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  2. Mixed: 0 out of
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