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Feb 17, 2011For 12 Desperate Straight Lines, the songs are still there, only this time some of the looseness of the self-produced sessions comes into play and the end result ends up being a marked improvement.
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Alternative PressFeb 23, 2011For fans of hook-laden music, the album's a must. [Mar 2011, p.99]
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Sep 13, 2011There are throwaways, but 12 Desperate Straight Lines moves Telekinesis in the right direction.
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Mar 18, 201112 Lines is enjoyable enough to be worth its existence without seeming rehashed and a solid improvement over his debut.
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Feb 18, 2011The second Telekinesis album suggests that Michael Lerner's gift for hooky, college-radio friendly indie-pop shows no signs of abating.
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Feb 23, 2011The more innovative tracks are definitely worth a download. However, a good portion of the album is basically filler.
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Feb 17, 2011Lerner has every inch of the stadium-indie minefield mapped out and slapped in plain view on his sturdy pop-machine's fulcrum.
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Mar 9, 2011The charm of these songs won't last forever. They'll have their season in your heart or car stereo, their refrains will seep gently into your vocabulary, and at some point you'll stop needing them, but it's welcome company while it lasts.
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Mar 28, 2011While Lines doesn't escape the limits of its genre--a little more substantial than an EP, consistent but not expansive--it plays its role well, and has enough moments to hold up beyond the first couple listens.
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Feb 18, 2011It's sustainable, technically sound, and part of a much bigger feast that happened a couple years ago.
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Feb 18, 2011In an indie-rock landscape where so many bands climb to eminence on the shoulders of pseudo-academic attention-seeking, a shrug and a good pulse can go a long way.
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Feb 24, 2011Bands in need of a catchy pop sound with a light edge should visit Chris Walla in Portland. The Death Cab for Cutie guitarist and producer can seemingly get this result from any artist he works with, including Michael Benjamin Lerner, aka Telekinesis.
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Feb 17, 2011If Lerner just keeps on doing his thing, he's clearly getting better at it.
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Feb 17, 2011Desperate sounds like a series of well-executed demos, waiting to be taken up by a crack band and a singer who can make them breathe.
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Mar 1, 201112 Desperate Straight Lines is Lerner's second LP under the Telekinesis moniker, and it finds his introspection all the more labyrinthine, but his chops as a genuine architect nothing if not totally satisfying.
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Q MagazineMar 9, 2011In time-honored fashion it rattles through a dozen tracks in a shade over 30 minutes, never getting close to overstaying its welcome. [Mar 2011, p.116]
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Feb 23, 2011Lerner's pop sensibility is still there, but now buried beneath distortion and throbbing bass, making this an intriguing, if not entirely welcoming, listen
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Feb 17, 2011Upbeat sentiment is scarce, yet there's barely a downcast moment -- no insignificant trick -- and somewhere Alex Chilton nods his approval.
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Feb 17, 2011While the hooks on 12 Desperate Straight Lines sink in easily, they're far from painless.
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Mar 16, 201112 Desperate Lines takes tried-and-true radio rock tropes and imbues them with enough life to make them feel fresh.
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Feb 18, 2011No one would fault this solid sequel if it wanted to add some of its own exclamation points to its title.
User score distribution:
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Positive: 5 out of 7
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Mixed: 1 out of 7
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Negative: 1 out of 7
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Feb 23, 2011The power pop sound of 12 Desperate Straight Lines does resemble Telekinesisâ