User Score
8.0

Generally favorable reviews- based on 199 Ratings

User score distribution:
  1. Negative: 16 out of 199
Buy Now
Buy on

Review this album

  1. Your Score
    0 out of 10
    Rate this:
    • 10
    • 9
    • 8
    • 7
    • 6
    • 5
    • 4
    • 3
    • 2
    • 1
    • 0
    • 0
  1. Submit
  2. Check Spelling
  1. Oct 23, 2014
    4
    As with everyone else, i've been listening to this band ever since the first album. so i'll just cut to the chase:

    after hearing All Hope is Gone, i couldnt bare to see if i could ever like this band's music again. AHIG was definitely not their best, or worst, but it was definitely the weakest album they produced. it still had songs i liked, not as much as their past 3 albums before it,
    As with everyone else, i've been listening to this band ever since the first album. so i'll just cut to the chase:

    after hearing All Hope is Gone, i couldnt bare to see if i could ever like this band's music again. AHIG was definitely not their best, or worst, but it was definitely the weakest album they produced. it still had songs i liked, not as much as their past 3 albums before it, but it was still enough to replay once in a while. that is, until heard The Gray Chapter. just when i thought that this couldnt be an even more low point for the band musically, they proved me wrong. this is definitely by far, my most hated album they have made, and probably the bottom of the barrel album of 2014 so far.

    not just by instrumentation, but mainly by vocals. the instrumentation part of their music sounds reminiscent of the early Slipknot days (since at least the self titled). that, however, is stretching it. however, most of the vocal tracks, have done the same thing that i've felt when i listened to AHIG, and this something that no one will admit, when its clear as day that its presented in it - the Stone Sour feel. this is something that bothers me, in the sense that - if i wanted to hear Stone Sour, i would rather just hear that. but the problem is, is that Corey's vocals have literally overlapped between the two bands, more so effecting Slipknot's signature sound, and this has been problematic for me ever since AHIG.

    do i hate every song? no, but for the most part, i can't listen to everyone of them either. The Negative One seems to be the only standing out track, which was released as a single months before the album finally released. in conclusion to this, if you are a die hard Slipknot fan (or just a die had maggot in general), then you'll obviously pick this album up, regardless of how it sounds. but as for me? maybe its time i completely move on and leave this band behind, and just enjoy what they offered in the past. Slipknot was easily one of those bands that i absolutely loved during my high school days (and no, i wasnt some rebel kid. i actually very well mannered - to an extent, but not overly mischievous :P). but this looks to be the first album i actually dont buy from them, therefore, i'm glad the "streaming" option is available these days. and if i end up do buying it, it'll only be for the sake to just have it in my music collection.

    maybe i've just really grown tired of the melodrama tone in metal music. its actually rather funny, coming from an adult who's barely passed his mid 20s. i know for a fact, i still have plenty to experience in music (i listen to more than metal, thank you very much) therefore, i'll leave it with 4 out of 10, just for the fact that these guys still tried even after Paul Gray's death (which is probably why its called the "Gray" chapter, in memory of him), and despite the fact that Joey Jordison is no longer a band member as well. Slipknot seems to have been going through some tough times for several years, but that reflection in the music, in this particular album, sadly, didnt pull me over.
    Expand
  2. Feb 6, 2016
    5
    As something of a hated band, Slipknot tend to struggle to prove die hard old fans and old 'haters' wrong with new releases, with Iowa being seen as the holy grail of heavy music when slipknot are concerned. The trouble with the gray chapter is... Well... It doesn't do anything that amazingly. Sure, the pace of AOV is incredible, but the riff is weak. Sarcastrophe is very strong but theAs something of a hated band, Slipknot tend to struggle to prove die hard old fans and old 'haters' wrong with new releases, with Iowa being seen as the holy grail of heavy music when slipknot are concerned. The trouble with the gray chapter is... Well... It doesn't do anything that amazingly. Sure, the pace of AOV is incredible, but the riff is weak. Sarcastrophe is very strong but the lyrics are lacking and it goes on far too long. Custer is a lowest common denominator appeal to 2001 nu metal and the chorus on songs like Nomadic and Skeptic are laughably over dramatic. In contrast, the wonderfully eerie Killpop is ruined by Corey Taylor's dry howl that really hasn't done well over the years. But when the album hits, dear god it hits hard. The Devil In I is a heavy metal masterpiece and The Negative One is about as heavy and snarling as slipknot have ever felt. But it's inconsistent. The album is a mess, the bounce between hypermelodic choruses and aggressive riffing reeks of late 00's Metalcore in the worst sense of the word. In conclusion, it's average. it sparkles in places, and sounds excellent live but has no consistency to really compare to the leviathans of their two first releases, of which only the eponymous album has really aged well. Go buy the new Machine Head album for more mature and consistent songwriting, or even the new Sylosis release. Neither band is quite so big, but both put out excellent albums that didn't receive anything like the hype that .5 got. Expand
Metascore
77

Generally favorable reviews - based on 13 Critic Reviews

Critic score distribution:
  1. Positive: 10 out of 13
  2. Negative: 0 out of 13
  1. Classic Rock Magazine
    Dec 16, 2014
    70
    There is still enough here to inspire hope for the band in the future, but this album is not quiet there yet. [Dec 2014, p.106]
  2. Q Magazine
    Nov 13, 2014
    60
    A struggle to balance the killer riffs and aggression that the fans want with the melodicism that the band themselves seem far more interested in. [Dec 2014, p.116]
  3. Uncut
    Nov 11, 2014
    70
    We find their extreme metal interspersed with more reflective moments. [Dec 2014, p.80]