• Record Label: Kemado
  • Release Date: Mar 29, 2011

Universal acclaim - based on 10 Critics

Critic score distribution:
  1. Positive: 9 out of 10
  2. Negative: 0 out of 10
Buy On
  1. May 3, 2011
    True Widow have laid down an album so strong that I can't see anything usurping it as album of the year for me (or anyone else who gives it a few listens). And at the end of April, that's a mighty bold claim. But the glove is on the floor now, and everyone else will simply have to step up or cower away and hide.
  2. As High As The Highest Heavens And From The Center To The Circumference Of The Earth doesn't just sound good, it grabs hold of every intricate audible sense in your nervous system for the entire journey of the album.
  3. May 5, 2011
    Influences are obvious but the balance between light and dark is perfect here.
  4. Dec 5, 2011
    With its slow, even pacing and spaciousness, As High as the Highest Heavens and From the Center to the Circumference of the Earth is a fantastically understated piece of headphones-ready post-rock goodness that will draw you into its depths with deceptively simple arrangements before trapping you in its sludgy melodies, making for a fantastic follow-up from this promising band.
  5. Jul 19, 2011
    The songs are a dialogue of fuzz bass and searching guitar notes with the contours barely sketched in by the drums. Minimalism packs a mean punch; True Widow gets you in the gut.
  6. May 6, 2011
    It's a real treat, so be sure to commit that title to memory should you be passing an emporium of musical delights anytime soon.
  7. Alternative Press
    May 2, 2011
    It's an album that's easy to overlook, but careful listeners will be rewarded with a world of sound. [Apr 2011, p.122]
  8. Apr 5, 2011
    Those who stick around will be treated to a sort of musical security blanket, jam-packed with hooks and an overall sound that should appease to fans of both the lightly melodic and relentlessly heavy.
  9. Apr 5, 2011
    The lyrics are wrung out with the same shaved-down discipline as the music, where nothing ever topples over into over-wrought emoting. Despite this rigid adherence to restraint, much of this material proves to be emotionally affecting.

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