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The WireJun 2, 2017Refusing facsimile, Galás’s music attains its weight and power not from its oddity but from its humanity. [Apr 2017, p.53]
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MagnetApr 26, 2017Both [At Saint Thomas the Apostle Harlem and All The Way] elicit a simultaneous sense of terror and wonder as to what demons are flowing through her bloodstream and how she's managed to harness them for the power of artistic good. [No. 141, p.57]
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Apr 26, 2017The more populist material that makes up All the Way is stripped of any comfort such familiarity may provide by Galás’s jarring reinventions.
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UncutMar 30, 2017A satisfactorily dramatic return. [May 2017, p.30]
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Mar 30, 2017All The Way is particularly strong, however, for both the production of Galás' piano and its melodies--there is an added, foreboding subtlety which comes through with more clarity here.
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Mar 30, 2017Galás’ sense of dynamics is all the more moving when you sort of know how the song’s supposed to go.