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Returning fans may take comfort in these cathartic anthems, but those who were won over by "Poison Trees"--a return-to-form effort that combined melody with more nuanced arrangements--will prefer the deluxe edition's acoustic disc.
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Alternative PressFrontman Chris Carrabba then shifts into the "Mature Artist" EP, showcasing critic-approved influences like U2 and the Cure ("Blame It On The Changes"), but goes too far with the acoustic mewl of "Even Now" (which is so personal, it's awkward) and "The Motions," a failed experiment in '80s pop. [Jan 2010, p. 92]
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Alter The Ending nose-dives into the studio of Butch Walker, the man behind Pink’s "Funhouse" and Weezer’s "Raditude," and he comically overproduces the damn thing.
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The leaden pillow talk of Alter the Ending deigns to simulate a whispered avowal of wounded love delivered straight to your ears, but Carrabba's lyrics suggest someone who needs you, not someone who loves you.