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Apr 24, 2014It's nice to see transition to a new sound on this release than his previous ones. He's best known for making hip hop beats, but delves into a more jungle/breakbeat/percussion oriented groove on most of this thing. He sounds like he knows what he's doing, and is enjoying himself here, but the tracks are too minimal and a tad bland. I was hoping bring something more to the table.
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Q MagazineFeb 14, 2014It's not as obviously retro as, say, techno DJ Paul Woolford's recent Special request project, but there are similar flashbacks to the darker end of '90s drum 'n' bass. [Mar 2014, p.108]
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Feb 10, 2014Clocking in at 61 minutes, Alternate/Endings haphazardly splices together twelve breath-stealing drum & bass tracks recorded throughout 2012 and 2013; the result is more a tasting menu than an actual statement.
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UncutFeb 3, 2014[The album] fires out volleys of convincing Metalheadz-style jungle breakbeats, embedded in brooding sound collages apparently influenced by Jonny Greenwood's score for There Will Be Blood. [Mar 2014, p.71]