User Score
Mixed or average reviews- based on 74 Ratings
User score distribution:
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Positive: 25 out of 74
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Mixed: 15 out of 74
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Negative: 34 out of 74
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Jun 16, 2018Don't know why people cannot accept change. Yes, the album marks a shift from much of the band's previous work, but this does not mean that it is worse, it's just different. People, and so artists as well, change and evolve, get used to it.
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Nov 2, 2018A very consistent album that marks a change for the band. They are making music they want to make instead of sticking with the same sound. This is not a rock album it is a blend of electronic rock and indie. Favourites include Love Is Madness, One Track Mind, Dangerous Night, Remedy and Rescue Me
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Apr 20, 2018The genre sidebar on this site has some serious problems. Just ridiculous those people throwing sick words to this record. I'm giving it a ten cause it deserves a higher score.
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May 23, 2018Great work with some recent music tendencies, proving to be something original but not as original as their previous albums.
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Apr 18, 2018
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May 9, 2018Reviews proved to be divisive just as the band conceived the album, I guess they succeeded with their concept.
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Apr 15, 2018Someone may not like its genre, but the album remains coherent with its concept and this makes it a great record.
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Apr 26, 2018Guitar abandonment aside, there are still some great moments on the record. Great Wide Open is one of their best songs imho.
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May 14, 2018People still describing them as an actor's band need to move on. WTF get over it.
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Feb 5, 2022
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Kerrang!Apr 13, 2018America is an odd album, one that requires patience to unlock. [7 Apr 2018, p.54]
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Q MagazineApr 13, 2018Like Leto's performance in the risible Suicide Squad, the result is unsubtle, self-important and not half as good as it thinks it is. [Jun 2018, p.106]
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Apr 13, 2018America presents the most contemporary, Top 40-friendly version of Thirty Seconds to Mars to date. Bombastic drums and guitars have largely been replaced with fairly tame looped and programmed beats and ominous synths, basically reimagining Thirty Seconds to Mars as the glossy grungetronica of Imagine Dragons. Leto still screams like a banshee, but for once the sounds backing him don’t match his fury.