• Record Label: XL
  • Release Date: Feb 20, 2007
Metascore
77

Generally favorable reviews - based on 16 Critic Reviews

Critic score distribution:
  1. Positive: 14 out of 16
  2. Negative: 0 out of 16
  1. Filter
    93
    There's something about this album... that takes listeners by the hand, smacks them into reality and reminds them they're still alive. [#24, p.90]
  2. Few albums made in recent memory sound this harrowing or this painful, yet even fewer have such a true sense of catharsis.
  3. Entertainment Weekly
    83
    Perkins' songs are neither maudlin nor exploitative--just quietly lovely. [2 Mar 2007, p.67]
  4. The New York Times
    80
    A remarkably beautiful elegy. [26 Feb 2007]
  5. At its best, Ash Wednesday recalls the command of Arcade Fire's Funeral, as Perkins finds empathy through his whimsy-fueled, sad-bastard songs of experience.
  6. These harrowing tales of woe are not only good enough to stand on their own but exceed our highest expectations.
  7. Not much has gone Perkins's way in the past 15 years. Now, though, at a time when few singer-songwriters bear comparison with their predecessors, when grief this raw all too rarely begets pleasure, you cannot help but feel that his luck is about to change.
  8. If you’re not in the mood for it, Perkins’s uncut melancholy can be a lot to swallow. Still, this is one of the prettiest bummers around.
  9. Under The Radar
    70
    Although Ash Wednesday ultimately suffers from Perkins' seeming indecision about whether to make a serioius or silly record, it is a listenable and noteworthy debut. [#16, p.94]
  10. Perkins avoids reveling in depression and instead follows the route that other singer/songwriters like Leonard Cohen, Nick Drake, and Bob Dylan have put down before him, telling detail-driven stories of people and life.
  11. The touchstones (Cohen, Dylan, Morrison, Yorke, Brion, "Hunky Dory"-era Bowie) are obvious as the album progresses, too obvious at times, but Perkins has his own stories to tell, and he often does so in a mesmerizing fashion.
  12. Most tracks stick to a downbeat, acoustic-folk template, although "May Day!" sounds like a lost Neutral Milk Hotel hoedown.
  13. With Ash Wednesday, Elvis Perkins has emerged as an assured, fully-formed cosmopolitan able to merge readily recognizable influences with a sense of theatre too often missing from the legion of similarly-intentioned performers.
  14. Both dream-like and slightly brutal in its approach, Ash Wednesday is a rare folk-rock LP, drenched in equal parts sunshine and cloudy grey skies.
  15. When so many performers are trying to push the boundaries, sometimes it's nice to have something so plain and straightforward.
  16. Ultimately, though, there's no transcendence for Perkins or the listener, making Ash Wednesday a tough listen with limited rewards.
User Score
8.6

Universal acclaim- based on 16 Ratings

User score distribution:
  1. Positive: 15 out of 16
  2. Mixed: 0 out of 16
  3. Negative: 1 out of 16
  1. JoeyS
    Apr 26, 2007
    10
    Album of the year. A must own...
  2. andreb
    Apr 16, 2007
    10
    Saw him open in Montreal on Friday April 13, 2007 for Clap your hand. He blew me away. I got his cd and it is truly great. Reminds me of David Gray.
  3. vanessab
    Apr 2, 2007
    10
    Ash Wednesday is written with lyrics that are poetic and ponderous yet limpid like the music itself. Nothing feels fake in his voice or his Ash Wednesday is written with lyrics that are poetic and ponderous yet limpid like the music itself. Nothing feels fake in his voice or his lyrics or his music. Its truely a classic you'll find different meanings to in different stages or moments in your life. Full Review »