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Most of Loewenstein's work here simply puts a happier spin on Sub Pop's raw, rough-edged rock formula -- the sort of thing Kurt Cobain might have written if Prozac was free.
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Though you really cant forget any of the work hes done in the past decade or so with his former band, Jason Loewenstein has really pulled off a gem of a record that momentarily loses you in his own music.
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Entertainment WeeklyThe lo-fi racket and guitar noodling are unlikely to appeal to many outside the indie-rock crowd. [12 July 2002, p.84]
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Thanks to fresh melodies, a surprisingly effective voice, ever powerful rhythms, and burning guitar/bass workouts, Jason Loewenstein has coined a voice of his own.
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With this mostly impressive album, Loewenstein has stepped out from behind Sebadoh founder Lou Barlow's shadow to prove he's a powerful songwriter and player in his own right.
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MojoThere's only fleeting glimpses of Jason's weakness for dimestore Minutemen angularity. [Sep 2002, p.104]
User score distribution:
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Positive: 2 out of 2
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Mixed: 0 out of 2
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Negative: 0 out of 2
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BillM.Sep 9, 2002
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MikeM.Aug 15, 2002