At War With The Mystics - The Flaming Lips
User Score
7.8

Generally favorable reviews- based on 140 Ratings

User score distribution:
  1. Negative: 10 out of 140

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  1. Dec 15, 2010
    8
    At War With The Mystics is no Yoshimi, But it is a very good album. It's a little more rock orientated than Yoshimi. The guitars get pretty loud, and Wayne's voice soars high. Wayne's voice sounded so smooth in this album. It was just clear and perfect. The "Yeah Yeah Yeah Song" is one of The Flaming Lip's best song. "The W.A.N.D", "Goin' On" and "Mr. Ambulance Driver" are all great tracks. All In All, At War With The Mystics doesn't top the sheer brilliant masterpiece Yoshimi Battles The Pink Robots, but it is still a very damn good album. B+ Expand
  2. Feb 7, 2013
    10
    This album is an overlooked masterpiece. It has the sort of kookiness the Flaming Lips can boast about while mixing in deeper, more melodic songs. "Mr. Ambulance driver" is a fantastically emotional song while "W.A.N.D." is an electric anthem of empowerment. The opening track is odd, but completely wonderful. There's a lot of atmosphere on this album and some people might find the lulls unpleasant, but when looked at as a whole and not just a collection of songs it's hard not to reflect on the beauty of it all. Expand
  3. Sep 3, 2011
    10
    To be honest, I didn't like this album as much at first. The Flaming Lips are my favorite band, and this album just didn't do it for me at first.

    Then I listened to it again.

    While "The Yeah Yeah Yeah Song" can certainly be annoying to many who haven't listened to The Flaming Lips, its a very clever song I think, along with many of the other songs on this album. Mr. Ambulance Driver is
    another great song, about someone who wishes he could be in his friend's place. The Flaming Lips, between The Soft Bulletin and this album have this overarching theme of love, and At War With The Mystics continues it, with, as I said, Mr. Ambulance Driver, My Cosmic Autumn Rebellion, and Pompeii Am Gotterdammerung. As others have said, it certainly is different from other Lips' albums, but nonetheless great. More electronic than the others, and more strange. Personally I don't think there's anything wrong with the album. Its no Soft Bulletin, but its not bad, like everyone seems to be saying. I would go so far to say that its actually pretty good. Expand
  4. Jan 4, 2014
    6
    This album is good, but doesn't quite reach the high watermark presented the band's previous releases. A lot of the songs just seem like regular, quickly-dashed-off indie pop songs that, had they been more developed, may have been much better. There are so many average songs that have a really good song at the center, but are smothered by the silliness and giddiness of the lyrics and instrumentation. THERE, I SAID IT. THIS ALBUM IS TOO DAMN HAPPY. Apparently the band realized this, as their next release, Embryonic, was amazing as well as bleak and sort of depressing. Then they again went a little too far with the music found on The Terror, but this is not a review of that album (which is a little better than this one). Anyway, this release is a interesting but ultimately disappointing one from a great band who have rectified this mistake with their albums Embryonic and the underrated Heady Fwends. Expand
Metascore
76

Generally favorable reviews - based on 37 Critics

Critic score distribution:
  1. Positive: 30 out of 37
  2. Negative: 1 out of 37
  1. Coyne is a shrewd observer of human nature, and an even shrewder songwriter and this album stands as his greatest and most varied work yet.
  2. 92
    Each consecutive [song] is stranger than the last. [#19, p.88]
  3. The weird part is how well this stuff holds together, a delirious jumble of android psychedelia and Coyne's elliptical wordplay that goes down as easily as warm milk (spiked with acid). [26 Mar 2006]