User Score
7.9

Generally favorable reviews- based on 156 Ratings

User score distribution:
  1. Negative: 10 out of 156

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  1. JonnyFreshNone
    Apr 29, 2006
    1
    This album is the sound of Pro-Tools coming alive, and being able to catch and eat the Flaming Lips band members because they were tired and just sitting in the control room. Lots of effects. No melodies. Poor lyrics. Tired sounding singing. Flat production and engineering on the drums. A flat, dying-goose sound for a guitar on almost every track. Forgotten .wav files in Pro Tools tacked This album is the sound of Pro-Tools coming alive, and being able to catch and eat the Flaming Lips band members because they were tired and just sitting in the control room. Lots of effects. No melodies. Poor lyrics. Tired sounding singing. Flat production and engineering on the drums. A flat, dying-goose sound for a guitar on almost every track. Forgotten .wav files in Pro Tools tacked on the end of songs. Four years for this? Are the Lips even a rock band anymore, or a corporation? As Wayne says on one of the worst Flaming Lips songs ever made ( Haven't Got a Clue): " Oh, Come on". Expand
Metascore
76

Generally favorable reviews - based on 37 Critic Reviews

Critic score distribution:
  1. Positive: 30 out of 37
  2. Negative: 1 out of 37
  1. Coyne is a shrewd observer of human nature, and an even shrewder songwriter and this album stands as his greatest and most varied work yet.
  2. Filter
    92
    Each consecutive [song] is stranger than the last. [#19, p.88]
  3. Los Angeles Times
    88
    The weird part is how well this stuff holds together, a delirious jumble of android psychedelia and Coyne's elliptical wordplay that goes down as easily as warm milk (spiked with acid). [26 Mar 2006]