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The resulting album is light and breezy.
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Q MagazineA sleek fusion of minimal bass, subtle breakbeats and surpise vocalists. [Apr 2010, p.111]
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There's nothing wrong with being down, and Simenon does it well. But what Back to Light boasts in studio acumen it lacks in personality.
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From the get-go the album announces itself through insidious emotive aural effects, which through a blistering barrage of time-travel sounds, encompass the listener in a feeling that although intense, evaporates rather instantly.
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Back to Light never quite gets it together, but it’s not for lack of trying.