• Record Label: Warp
  • Release Date: Jan 31, 2020
Metascore
76

Generally favorable reviews - based on 15 Critic Reviews

Critic score distribution:
  1. Positive: 12 out of 15
  2. Negative: 0 out of 15
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  1. Feb 13, 2020
    80
    Your response to Be Up A Hello will depend on your tolerance for Squarepusher’s virtuosic onslaughts. It can be as exhausting as it’s exhilarating. If there’s a sameness to the BPM readings of the up-tempo tracks a deeper listen reveals the layers that are buried beneath the frenzy and show Squarepusher has lost none of his edge.
  2. Feb 4, 2020
    80
    Be Up a Hello is Jenkinson’s strongest album for a decade and is easily up there with his best work.
  3. Jan 29, 2020
    80
    After several records of heady composition and high-concept music, Be Up a Hello is refreshingly direct. Without simply revisiting a bygone golden era, Jenkinson reconsiders some of his old ways, taking some of his more familiar ideas to new, strange places. As always.
  4. Uncut
    Jan 29, 2020
    80
    Not a game-changer, but a solid mid-career statement from a true original. [Mar 2020, p.37]
  5. Jan 28, 2020
    80
    Whether you can consider this old-school, new-school, or somewhere in between scarcely matters. What we have here is yet another brain-melting album from an artist who refuses to stand still.
  6. Q Magazine
    Jan 28, 2020
    80
    By eerie last track 80 Ondula, all moody Vangelis synths and bad-acid vibes, there comes the realisation it's actually the sinister undertone that lurks beneath all Jenkinson's esoteric soundscapes which makes them so compelling. [Mar 2020, p.122]
  7. Jan 28, 2020
    80
    Be Up a Hello slots in as yet another example of the creative colossus that is Squarepusher. This record feels especially important, though, because it asserts that what some would consider an outmoded sound palette can still be mined for fresh ideas, that IDM in its golden-age variety has yet to reach its zenith.
  8. 80
    On the whole, the album is excellent. It’s a return to what Squarepusher is known most prominently for but his style has developed since the '90s.
  9. Mar 25, 2020
    78
    Be Up a Hello can be a lot to take in at times, a rambunctious and restless effort from a man comfortable in his ability to make the dancefloor obsolete. But there’s more here than simply speed and density – there are strange currents working their way through the songs, hints are something deeper and more relatable than its superficial excess might suggest.
  10. The Wire
    Feb 5, 2020
    70
    The nine tracks here compact his characteristic baroque late jungle excesses into compact, juddering frames. While they still rarely swing, their frenetic motion carries bent and warping keys, rolling breakbeats and maddened blarps of synth towards a clear endpoint. [Feb 2020, p.58]
  11. Feb 4, 2020
    70
    Absorbing a Squarepusher LP in one sitting has always been for more adventurous or diligent listeners, but the dank final section means that, outside of more hardcore fans, Be Up A Hello will probably need to be navigated in exactly the right sort of mood.
  12. Jan 31, 2020
    64
    The overload of nostalgia keeps the album from feeling fresh. As thrilling as those vintage Squarepusher records were (and still are), it wasn’t necessary that Jenkinson make another one.
  13. Jan 31, 2020
    60
    It’s a well-produced record, even if Ufabulum is a better example of the new style put to good use.
  14. Jan 31, 2020
    60
    Ultimately Be Up a Hello is a fun albeit bumpy ride through future-retroism, best felt in the moment itself.
  15. Mojo
    Jan 28, 2020
    60
    As restless and fidgety as ever. [Feb 2020, p.91]
User Score
6.7

Generally favorable reviews- based on 11 Ratings

User score distribution:
  1. Positive: 6 out of 11
  2. Negative: 1 out of 11
  1. Jul 31, 2023
    9
    Super Glitchy and good at catching you off guard. This is a modern classic of Squarepusher. Drill n bass, absolute chaos and some hauntingSuper Glitchy and good at catching you off guard. This is a modern classic of Squarepusher. Drill n bass, absolute chaos and some haunting gorgeous background synths. Full Review »
  2. Aug 1, 2020
    7
    oberlove is a bad start with boring chord progressions, but the album is great after it.
    Ambient cuts are good alone but they don't fit in
    oberlove is a bad start with boring chord progressions, but the album is great after it.
    Ambient cuts are good alone but they don't fit in the tracklist properly and disrupt the momentum.
    Full Review »
  3. Mar 22, 2020
    6
    ( 65/100 )

    Definitivamente de lo más desorganizado, sin propósito, aburrido y pesado que he escuchado. Tom Jenkinson apenas le da velocidad
    ( 65/100 )

    Definitivamente de lo más desorganizado, sin propósito, aburrido y pesado que he escuchado. Tom Jenkinson apenas le da velocidad y espacio a su visión y lo vomita todo en un proyecto que muy pocos podrán disfrutar. Se me hace difícil imaginar poder disfrutarlo en un club y se me hace difícil imaginar alguna narrativa con su música, probablemente esa sea su deficiencia, la semejanza que tiene con una experiencia encriptada que no ofrece garantía alguna de que valga la pena tener.
    -
    Definitively one of the most unorganized, purposeless, heavy and boring things I've heard. Tom Jenkinson barely gives speed and space to his vision and pukes it all in a project that very few will be able to enjoy. It's difficult for me to imagine that it can be enjoyed in a club and its hard to imagine any kind of storyline with this music. Probably that's why it's deficient, because of the similarity it has with an encrypted experience that doesn't give you any guaranty of it being worthy of your attention.
    Full Review »