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User score distribution:
  1. Positive: 1 out of 2
  2. Negative: 0 out of 2
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  1. Feb 22, 2012
    9
    I interviewed Busdriver for another site about a year and a half ago when this album was still basically in the fetal stage of development, which means i've been waiting at least that long to hear Beaus $ Eros. In true Busdriver fashion, this album is full of surprises. 2011 and 2012 seem to be the era of singing rappers, and I would much rather hear Busdriver's unique disco DJ-like voiceI interviewed Busdriver for another site about a year and a half ago when this album was still basically in the fetal stage of development, which means i've been waiting at least that long to hear Beaus $ Eros. In true Busdriver fashion, this album is full of surprises. 2011 and 2012 seem to be the era of singing rappers, and I would much rather hear Busdriver's unique disco DJ-like voice emphasize each consonant in the beautiful nightmare of "Kiss Me Back to life" over any auto-tuned hiphop artist out there right now. There's less of his signature speed rap on this album, but no short supply of the intelligent and hilarious lyrics that have become a hallmark of his rhyme. Expand
Metascore
62

Generally favorable reviews - based on 11 Critics

Critic score distribution:
  1. Positive: 5 out of 11
  2. Negative: 0 out of 11
  1. Apr 12, 2012
    70
    Beaus$Eros is an interesting experiment. Busdriver is capable, obviously, in multiple genres, and has the restless, omnivorous kind of creativity that sees links between disparate styles.
  2. Mar 27, 2012
    50
    Beaus$Eros seems to re-hash the sonic aesthetic of Busdriver's earlier releases, but this time with less impressive beats, weak vocals, and little to no live instrumentation.
  3. Under The Radar
    Mar 22, 2012
    50
    An oddball experimental pop record... Cheers for sticking with a concept, just a bummer it didn't add up to its aspirations. [Mar 2012, p.88]