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Bionic - Christina Aguilera
Bionic Image
Metascore
56 out of 100

Mixed or average reviews - based on 21 Critics What's this?

User Score
8.1 out of 10

Universal acclaim- based on 386 Ratings

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10 out of 10
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  • Summary: Subtlety not being part of Christina Aguilera’s vocabulary, she trades the retro-swing of Back to Basics for the future-pop of Bionic, receiving assists from a roster that reads like a who’s-who of progressive pop in 2010: M.I.A., Le Tigre, Peaches, and John Hill & Switch, known for their wor work with Santigold. But like the half-cyborg/half-diva illustration of the album cover, this revamp is only partial. Aguilera hedges her bets by adding a ballad from old friend Linda Perry, gets Tricky Stewart to produce a trio of cuts, drafts Polow da Don and Focus… to produce some heavy and slow R&B, respectively, letting enough air into the machines to reassure hesitant fans that she hasn’t abandoned her roots. All this hesitancy means that for as many risks as it takes, Bionic doesn’t feel daring. Apart from the stuttering opener of the title track and glassy chill of “Elastic Love,” notably the two Hill & Switch productions, this never delivers the future shock it promises, but that’s not necessarily a bad thing, because the robot-diva hybrids are often interesting even when they stumble, as they do on “WooHoo,” its incessant title loop piercing like a dental drill. Exhibit A in Xtina’s curious tin ear for sex, “WooHoo” doesn’t work as temptation, not when the chorus come-on is “licky licky yum yum,” but her crassness is no longer alienating as it was on Stripped; it’s simply part of her persona, just like her shameless narcissism, showcased on the closing “Vanity,” where she gets her kid to confirm that she’s the greatest of them all. This triumphant self-possession comes so naturally to Christina that it’s hard not to wish that she acted so boldly throughout Bionic, letting the entirety of the record be as distinctly odd as its best moments. Frankly, the deluxe edition of Bionic does suggest what the album could have been: it’s supplemented by four bonus songs that are wildly imaginative, whether it’s the clattering, chanting “Bobblehead,” the cool synth glide of “Birds of Prey,” the perfect new wave pop of “Monday Morning,” or Sia’s mournful ballad “Stronger Than Ever.” In their place on the album proper are competent, relatively colorless club odes to fashion and fabulousness and Perry’s boring inspirational “Lift Me Up,” songs that play to Aguilera’s persona without inhabiting it. The rest of Bionic -- not just the hipster flirtations and Sia’s trio of richly ruminative AAA ballads, but the tracks directly within Aguilera’s wheelhouse, like Tricky Stewart’s wildly successful, slinky “Desnudate,” and the sultry slow burner “Sex for Breakfast” -- find Christina not playing to expectations but simply acting as a natural diva and is all the more compelling for it. ~ Stephen Thomas Erlewine… Expand
  • Record Label: RCA
  • Genre(s): R&B, Soul, Urban, Adult Contemporary, Pop/Rock, Dance-Pop, Contemporary Pop/Rock, Euro-Pop, Neo-Soul
  • More Details and Credits »

Critic Reviews

Score distribution:
  1. Positive: 3 out of 21
  2. Mixed: 17 out of 21
  3. Negative: 1 out of 21
  1. All Music Guide
    80
    This triumphant self-possession comes so naturally to Christina that it's hard not to wish that she acted so boldly throughout Bionic, letting the entirety of the record be as distinctly odd as its best moments.
  2. Dot Music
    60
    It's a horribly overlong, confused creation and Aguilera's brash personality and lioness voice are often sacrificed in pursuit of its many different styles. But when its experiments work, she's never sounded so interesting.
  3. Chicago Tribune
    25
    It would've been fascinating to see how far a full-blown collaboration might've taken her, but Aguilera spreads out the songwriting and production credits in search of more hits, most of which come off as flimsy gimmicks.

See all 21 Critic Reviews

User Reviews

Write a Review
Score distribution:
  1. Positive: 107 out of 130
  2. Mixed: 11 out of 130
  3. Negative: 12 out of 130
  1. LucaISlandDJ
    10
    Altought this album doesn't reach the great sounds of Stripped, Christina did her best as ever. The up-tempo songs like Not Myself Tonight are really energic. The best song of the album is a ballad, Lift Me Up sang beautifully.… Expand
    • 1 of 1 users said yes
  2. theOneFH
    5
    With no doubt, the worst of Aguilera's 4 albums. There are good songs indeed, like "Bionic", but the way she distinguishes herself as this unbelievably inappropriate slut in the album is not favorable at all. She tried a new genre, that's good, but she did it the wrong way. Christina seems to think that showing off her vocal ability is always good for her. But if you really think about it, really really not. Yes, her ballads are all popular around the world and are what she's most famous for. Her vocal ability is simply amazing, that is a known fact. Yet she always fails to attract the new generations. All I'm saying is, try singing normally, try to sing something that is more pop and try to make improvements in those songs by using the god-given voice wisely. That ought to make her a music sensation again.… Expand
    • 0 of 0 users said yes
  3. M.Foy
    3
    The album is not what I expected from this girl. The ballads are bigger than the electronic elements she brought into this "Bionic", and the tracklist contains 18 songs, such a LP that can't keep anybody keen on listening this album.… Expand
    • 0 of 0 users said yes

See all 130 User Reviews

Recommended Products

  1. Back To Basics - Christina Aguilera

    • Release Date: Aug 15, 2006
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  2. Stripped - Christina Aguilera

    • Release Date: Oct 29, 2002
    Stripped Image

  3. Mi Reflejo - Christina Aguilera

    • Release Date: Sep 12, 2000
    Mi Reflejo Image

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