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Borrell 1 Image
Metascore
49

Mixed or average reviews - based on 10 Critic Reviews What's this?

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  • Summary: Backed by a three-piece band called Zazou, the debut release for the former Razorlight frontman was recorded in France before receiving more production work Trevor Horn.
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  • Record Label: Universal Music
  • Genre(s): Pop/Rock, Adult Alternative Pop/Rock, Alternative/Indie Rock, Alternative Singer/Songwriter
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Score distribution:
  1. Positive: 1 out of 10
  2. Negative: 2 out of 10
  1. Jul 25, 2013
    70
    Ultimately Borrell 1 is a better-than-serviceable rock record complicated by myriad preconceptions, all which are further skewered by some fantastically hubristic song titles.
  2. Q Magazine
    Jul 25, 2013
    60
    This is a ludicrously enjoyable record, shedding Razorlight's US-targeted bluster and awkwardly stalking that curious mid-70s musical patch where pub rock and glam shaded into punk. [Aug 2013, p.97
  3. Mojo
    Aug 13, 2013
    60
    As ever with Borrell, it's never less than weirdly, grippingly fascinating. [Sep 2013, p.90]
  4. 50
    Ultimately, it’s sketchy and uneven, ridiculous in as many of the wrong ways as the right, but not quite the disaster its tracklisting would suggest.
  5. Jul 25, 2013
    40
    Borrell 1 sounds like the inner workings of a brain as it descends into total madness.
  6. 40
    Originally recorded on a home four-track machine, the songs were subsequently re-done with Trevor Horn at the helm, which has applied a little polish to what still sound like under-written sketches rather than compelling pop material.
  7. He sounds utterly burnt out. Poor.

See all 10 Critic Reviews

Score distribution:
  1. Positive: 0 out of 1
  2. Mixed: 0 out of 1
  3. Negative: 1 out of 1
  1. Nov 25, 2016
    3
    Borrell 1 epitomises something. There is a statement, deep within these lazily cascading strains of faux-reggae, these seemingly jolly avenuesBorrell 1 epitomises something. There is a statement, deep within these lazily cascading strains of faux-reggae, these seemingly jolly avenues of piss-weak folk. There's a message here. I don't think Johnny is aware of the message. Nor do I think it was intentional.

    But it's there.

    It is, quite simply, a cry for help.
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