- Critic score
- Publication
- By date
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Unfortunately, Oakenfold isn't much of a pioneer any more, and though it's clear his ear for a solid production hasn't deserted him, Bunkka sees him following the trends instead of pushing them.
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Alternative PressA slick, expertly crafted crossover plea that can't quite push Oakenfold past every other beat-happy producer out there. [Aug 2002, p.88]
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Kudos for making such a disparate collection hang together as a cohesive, upbeat, infectious whole.
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BlenderBunkka proves he can't write songs to save his slipmats. [#8, p.120]
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Spouts off on multiple tangents and never returns.
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Diverse and constantly engaging.
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Entertainment WeeklyFile under: Bunkum. [21 June 2002, p.84]
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MixerA deep, dark and dirty affair. [June 2002, p.88]
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Yes, it's eclectic and he hasn't just slapped together a ragbag of Ibeefa anfums, but this record essentially suffers from a lack of ambition.
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It was a phenomenal album two years ago, when it was called Movement In Still Life and BT released it. Now, in 2002, it just seems dated.
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Q MagazineIt's hard to discern quite what Oakenfold himself brings to the party. [July 2002, p.117]
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The album works because Oakenfold has abandoned the stylistic limits of trance yet brought the genre's tuneful oomph to tracks with a little more personality.
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Even the highlights are bogged down by ambitious aims that translate blindness as blandness.
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UncutPadded out with too much of the Europap that has blotted Perfecto's scoresheet over the years. [Jul 2002, p.116]
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UrbBunkka has the savvy and brass tacks to challenge even the Jedi master of music/marketing synergy, Moby. [Jul 2002, p.97]
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VibeThe commercial techno sludge of Oakenfold's songs on Bunkka suggests that he should have thought twice about veering from his career path as DJ du jour. [Aug 2002, p.160]
User score distribution:
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Positive: 8 out of 10
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Mixed: 1 out of 10
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Negative: 1 out of 10
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SimonBMay 13, 2008
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StephenS.Sep 22, 2002Southern Sun IS the song for 2002... greatest hit of the year here in Malta
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BitBurnSep 20, 2002