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May 7, 2018Caer is a magnificent oasis of feeling and reflection, where self-doubt, confidence, love, and lust live so comfortably alongside one another.
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Apr 25, 2018Caer shows that Twin Shadow’s limitless approach to pop suits him just fine.
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Q MagazineApr 24, 2018For every moment of immaculate pop, there's a moment of strangeness. [Jun 2018, p.116]
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Under The RadarApr 24, 2018Twin Shadow is back in a major way and Caer represents one of his most diverse collections of recordings yet. [Mar-May 2018, p.61]
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May 1, 2018While Caer stumbles over artifice at the gate, Twin Shadow eventually rebuilds a vibrant pallet to unload actual confessions that other lonely listeners can relate to.
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Apr 27, 2018Caer shows definite signs that Twin Shadow is moving in the right direction. However, the album is too often bogged down by cheerless beats, painted in varying shades of beige.
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Apr 27, 2018There are some meandering points on Caer, but Lewis Jr.’s sobering narrative on piano finale ‘Runaway’ ends things on a poignant high-note.
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Apr 24, 2018For a 13-track album, the majority is forgettable and doesn't live up to the colourful elements of Lewis's previous releases. The lack of energy on Caer leaves a longing for more originality and creativity he has once given us.
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UncutApr 24, 2018This is a pretty exhausted soundworld. [Jun 2018, p.37]
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Apr 24, 2018Though much of the rest of Caer is mopey and monochromatic, these songs ["Too Many Colors" and "Little Woman"] suggest new possibilities for Twin Shadow's next phase.
User score distribution:
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Positive: 9 out of 11
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Mixed: 1 out of 11
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Negative: 1 out of 11
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May 1, 2018
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Apr 29, 2018
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Dec 29, 2020