- Critic score
- Publication
- By date
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Throughout Cedars, Clearlake continually find beauty in melancholy and melancholy behind beauty, while raising your hairs in reverence with occasional guitar squalls.
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UncutA beautiful record. [Mar 2003, p.100]
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This is one of the most unique, inviting, and ultimately thrilling song cycles released this year.
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Alternative PressMoody music that avoids settling on any one sound for more than half a song. [Feb 2004, p.78]
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MojoRich, but foreboding stuff. [Mar 2003, p.106]
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While Cedars probably won’t appeal to listeners not already immersed in the Britpop canon; it will likely prove rather impressive to those who are.
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An album of didactic power and limitless ambition.
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Q MagazineTreat Yourself With Kindness... calls to mind what Morrissey and Marr might have come up with if requested to soundtrack the closing credits of It's A Wonderful Life. [Mar 2003, p.102]
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Under The RadarIt's painful, joyful and glorious. [#5, p.98]
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If Cedars has an artistic failing, it's that the songs tend to blend together after "Almost the Same".
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'Cedars' is a record of huge maturity - witty, often quite sad, occasionally perverse, but hugely charming nonetheless.
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Cedars is a keeper.
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One of the better British rock discs that I've heard in awhile.
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Are you worn out by your Travis and Coldplay CD's? In the market for some new Brit-Pop? Clearlake creates songs with equally appealing melodies to the aforementioned bands, while eschewing the relentlessly anthemic quality that occasionally mires the genre.
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It's like reading an impressive primer of British post-punk with the chapters completely jumbled.
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Yet, for all of its strengths, the monumentally somber "Cedars" does suffer from a few ill-conceived pieces, like the needless, patience-trying "It's All too Much" and the abstractly rhythmic "Treat Yourself With Kindness."
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Unfortunately, when Clearlake misses the mark, it does so widely.
Awards & Rankings
User score distribution:
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Positive: 6 out of 6
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Mixed: 0 out of 6
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Negative: 0 out of 6
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Mr.NiceFeb 2, 2005This is one of those albums that you can play repeatedly, finding new nuggets of beauty each time. Simon Raymonde's production is flawless.
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BenjaminBunnyJun 8, 2004British goth-pop that's a little silly, but delivers some memorable hooks--"Almost The Same" is one of my favorite songs of the last year.
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MattTDec 24, 2003From desperation to hope and back again throughout the record. A nice but forboding listen throughout.