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Oct 10, 2022The music is breathtakingly simple but also sneakily and refreshingly adventurous. Listening to the carefully wrought songs on Suddenly, I wished that Snaith had given freer rein to his experimental instincts. On Cherry, he cuts loose.
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Nov 23, 2022Throughout Cherry, Snaith creates a new kind of tension in Daphni's music, as well as a spontaneity that seduces his audience into movement ever more cleverly.
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UncutOct 10, 2022The welcome brevity of most tracks gives Snaith even more room to vary tempos and textures. [Nov 2022, p.28]
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Oct 10, 2022While Snaith could’ve easily packed ‘Cherry’ full of wall-to-wall bangers, it shouldn’t be too surprising to hear that he does switch things up. The soothing steadiness of ‘Clavicle’ and the exquisite piano loop of ‘Cloudy’ are fine examples of when his toned-down production approach works wonders, though he can be guilty of overindulging.
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Oct 14, 2022Where the drums of Joli Mai were, more often than not, ready to roll one over at any given point, Cherry blossoms as a listen worth savouring as Daphni's melodious detail leads the dance.
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Oct 14, 2022The final result is up there, but as it jumps frantically from idea to idea, it dulls the impact of its best ideas in favour of others that might have been best left in a folder along with hundreds of other loops on his laptop.
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Oct 10, 2022Some of these tracks are cruel in their brevity.