• Record Label: Sub Pop
  • Release Date: Apr 8, 2022
User Score
8.0

Generally favorable reviews- based on 28 Ratings

User score distribution:
  1. Positive: 25 out of 28
  2. Negative: 1 out of 28
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  1. Sep 6, 2022
    5
    Original:15 april
    Rescore: 4/10
    Updated:5/10
    the newest FJM is a decadent fusion of the lounge music of the 20's and his own stylistic sound. it is not really a step up by any means but i's not a letdown. it's a sharp melodramatic display of 11 crooning gems that suffer from poor pacing and maudlin mood. otherwise i's sill a prey satisfying release in a ear already sacked with them.
Metascore
82

Universal acclaim - based on 25 Critic Reviews

Critic score distribution:
  1. Positive: 21 out of 25
  2. Negative: 0 out of 25
  1. Apr 12, 2022
    80
    With Erickson’s arrangements augmenting his tales at every beat, they become immersive emotional explorations. Not every entry is gripping, and their mileage will depend on how much time you’re willing to settle in and let them wash over you, but overall it’s an impressively graceful skip into a new era for the songwriter.
  2. Apr 12, 2022
    60
    It's opulent and immaculately composed but lacks the strong perspective that's usually central to FJM's work.
  3. Apr 11, 2022
    91
    He’s elusive even in the midst of taking on a new musical persona that seems high-concept. But it’s that combination of intriguing opacity and occasional open-heartedness — and his twin inclinations between deep philosophizing and deadpan comedy — that give “Chloë” the oddball breadth to be one of the best albums of the year.