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While she has not found Torn Mk.II and continues to prove her weaknesses as a vocalist, Imbruglia has at least shown some much welcome diversity here. That, along with her hallmark sweet melodies, means that Come To Life is at least worth a listen.
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Whacking on the slap and going electro needn't have felt so dysfunctional--the songs do hold up--but a complete disjunction in styles sounds confusing and ultimately robs the album, and perhaps her comeback, of an identity.
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Pop princess turned electro muse fails to deliver.
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Q MagazineThere's nothing of similarly instant appeal [of 'Torn'] to be found on Come To Life, despite the presense of three tracks co-written by Chris Martin. [Nov 2009, p.114]