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Feb 14, 2024Coming Home is full of delectable singles that prove Usher is still the king of pop-R&B—he’s simply reminding his fans what he can do, how many ways he can do it, and how nastily, too, if you’ll allow him.
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Feb 12, 2024On COMING HOME, Usher meets the moment without trying to eclipse the past, serving as a reminder that the King of R&B hasn’t gone anywhere.
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Feb 12, 2024For every few colorless duds defined by their embrace of contemporary R&B, such as the overly smooth “Kissing Strangers” or the brassy “Big,” there’s a creative cut or two, like the suave “Margiela.”
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Feb 9, 2024An album that sums up and expands what Usher does best. .... Throughout the album, Usher cruises through the musical and dramatic challenges that he has set for himself.
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Feb 9, 2024The star’s sprawling, twenty-song LP is nostalgic and familiar as Usher leans into the past without making it feel stale.
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Feb 9, 2024Coming Home is a hugely impressive reminder of Usher's pop skills, and another testament to the enduring appeal of high class RnB.
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Feb 9, 2024After a few more adequate songs without sonic or lyrical linearity -- a tender collaboration with simpatico Afrobeats producer/singer Pheelz stands out most -- the album hits its stride with a sequence of slow jams demonstrating that Usher is at the top of his game as a singer, still much more than a mere entertainer.
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Feb 9, 2024‘COMING HOME’ competently portrays love as part Afrodisiac, part pulse-racing chase, part languorous and lived-in sensation. ‘COMING HOME’ is also tangential to the live spectacle, and that’s okay.
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Feb 9, 2024How you feel about that will depend on your threshold for Coming Home’s smooth-bossing seduction style. What Usher lacks by way of foreplay (“I wanna be inside ya/ I’ll be coming” is the album’s second line) he compensates for with stamina: smooching his way through 20 tracks of mostly silky-solid grooves. Coming Home is enlivened by a cool cast of collaborators sharing the mic.
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