Conor Oberst - Conor Oberst
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Generally favorable reviews - based on 34 Critics What's this?

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Universal acclaim- based on 20 Ratings

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  • Summary: The first solo album released on CD for the Bright Eyes singer was recorded in Mexico.
Score distribution:
  1. Positive: 27 out of 34
  2. Negative: 0 out of 34
  1. This vibrato-prone romantic is the greatest melodist in contemporary mega-indie.
  2. Sprawling and brawny, Conor is the least maudlin album Oberst has made. [8 Aug 2008, p.67]
  3. 80
    It’s proof that, when he escapes from awkward, self-conscious navel-gazing, Oberst can be a songwriter of some note.
  4. Oberst himself sounds enlivened by the chance to listen in and sing while he's at it.
  5. Largely, this is the introspective folk rock of Bright Eyes, though there's some welcome shift away from autobiography.
  6. Conor Oberst doesn't sound much different from any of Bright Eyes' acoustic material, except that it is lacking in the bare honesty of his earlier albums.
  7. Although Oberst's reedy voice may occasionally shine, this album needs a bang rather than a whimper.

See all 34 Critic Reviews

Score distribution:
  1. Positive: 5 out of 5
  2. Mixed: 0 out of 5
  3. Negative: 0 out of 5
  1. ChadS.
    Aug 11, 2008
    If you're good, you can get away with a faux-off-the-cuff spoken-word narrative about a surreal plane crash, before launching acoustically into your best Bob Dylan imitation, as the thirsty Conor Oberst audaciously pulled off with aplomb and confidence on "At the Bottom of Everything"(from "I'm Wide Awake, It's Morning"). He recorded himself drinking a beverage, and I didn't mind at all. One song is all it took to make me a loyal fan. A first impression is everything. Now, he's an I. Maybe Oberst stopped hiding behind his Bright Eyes moniker as a response to the similar move made by Bill Callahan(he who was Smog), or, Jakob Dylan(he who was a Wallflower). On this eponymous debut, Oberst finally wrote a song that is equal to anything in the Dylan canon. "I Don't Want to Die(in the Hospital)" sounds like an update of "Bringing It All Back Home"-era Bob, updated by Gordon, circa 1984. Listen closely, and you just might hear a hint of "Never Tell" and "Jesus Walking on the Water" from the Violent Femmes' underrated "Hallowed Ground". While everybody is mining the sixties for his influences, Gordon Gano might be flying under the radar. "Souled Out" makes funny reference to "Knocking on Heaven's Door", in which the recently dead "won't be getting in" because heaven is "all souled out". Warren Zevon got in. But will there be room for Axl Rose? He has some explaining to do about the original cover art for "Appetite for Destruction". "NYC-Gone Gone" is a cool Slade-like rave-up. And finally, the album closes gracefully with "Milk Thistle", a langorous ballad that sort of recalls Cat Stevens' "Moon Shadow". Expand
  2. voodoocookie
    Aug 15, 2008
    Conor nails it again. It doesn't sound too different from another Bright Eyes album but with each and every album his sound has been evolving. You can't really still expect him to sound like the fever/lifted days. Lyrics and music still top notch and he seems to be enjoying himself here which is nice to see! Expand
  3. CarlF.
    Aug 7, 2008
    Great album about escapism and life on the road. The music matches the lyrics perfectly. Seems like the critics are taking Conor Oberst for granted. An album that would be fantastic for a roadtrip across the United States. Expand
  4. JorgeBizarro
    Aug 5, 2008
    Melodic, warm, lOberst tells you part of his life sharing some drinks, maybe not his best, It's his most accesible.
  5. Nov 17, 2011
    Consistenly good without ever really catching fire anywhere. Enjoyable but overrated in my opinion. Cape Canaveral, Eagle on a Pole, Milk Thistle are the highlights. Expand