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Apr 29, 2011Now comes the Orchestre's first album in 20 years, Cotonou Club, and it has some of the bet-hedging one tends to see when musicians don't trust what they've got--re-recordings of old material and guest stars.
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Apr 28, 2011Cotonou Club backs up the feeling I got when I saw the group on their recent UK tour, namely that, while they're still very funky, they aren't currently laying the voodoo down like they did on those magic 70s discs.
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Apr 26, 2011Cotonou Club is first and foremost a tribute to that place and time – a period partially documented on 2009 Analog Africa compilation Legends of Benin. The 11-piece Orchestre reprises some of its best material, most notably the rebel soul of "Von Vo Nono" and standout "Gbeti Madjro," the latter featuring Angélique Kidjo, and both for the better.
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Apr 15, 2011The grooves lean toward salsa in "Koumi Dede" and Afrobeat in "C'est Moi ou C'est Lui," but Orchestre Poly-Rythmo ratchets up the rhythms. Its singers work hard too.
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Apr 12, 2011The percussion nips confidently at the brass in "Oce", the vocal to-and-fro in "Pardon" doesn't need long notes to make it interesting, and the tunes are still dense and wonderful, the rhythmic voudoun attributes, the afrofunk saxophones, the gotcha of the Cuban piano in "Koumi Dede": everything, everything.
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Apr 6, 2011It's a shame the band don't stretch out a little more on some of the songs. Even so, if Cotonou Club isn't quite what it might have been, fans should bear in mind that the reformed Orchestra Baobab didn't really hit their stride until their second "comeback" recording.
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Apr 6, 2011The music is still driven by the same conceptual forces, instrumentation and voodoo tradition that Orchestre Poly-Rythmo has always been known for. Contonou Club is not only a symbol of the group's reunion; it marks the continuation and growth of a West African musical revolution.
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Apr 6, 2011Twenty-odd years ago, when Poly-Rythmo last made a studio album, they were at their lowest ebb. Cotonou Club finds them at another high.
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Apr 6, 2011It's a cheerful, stirring and perhaps deliberately unfocused set, but they sound even better live.
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MojoApr 6, 2011Can a band that has been as good as defunct since the 1980s truly recapture their spark? The answer appears to be yes. [Apr 2011, p.98]