- Critic score
- Publication
- By date
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SpinThe production smudges the songs into fuzzy watercolors, and Orton's twangy burr can't always cut through. [Sep 2002, p.128]
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UncutAt their best, Orton's songs do achieve what Daybreaker sets out to achieve--a sense of watching the dawn rise, all hyper and half awake from having been up all night arguing, making love or simply conversing intensely. [Sep 2002, p.108]
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Although it's perhaps her most consistent and mature work to date, it's also her least engaging, never matching the dizzying heights of her previous efforts even as it consciously avoids past pitfalls.
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About half of the album plods through bland, wispy material that gasps for hooks to latch onto and gives Orton too much room to show off her limited vocal range.
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Some of the songs here are forgettable in the extreme.
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What truly separates Daybreaker from other Orton efforts is its lack of emotional resonance-- moments where Beth just belts it out or where she actually seems engaged with the songs she's singing.
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Q MagazineTortoise-pace strumming and a crippling shortage of choruses produce only torpor. [Aug 2002, p.131]
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Orton seems to be embracing the humdrum, schlocky sound of New Age crooners and adult contemporary mush like Dido.
User score distribution:
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Positive: 7 out of 8
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Mixed: 1 out of 8
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Negative: 0 out of 8
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Jul 21, 2013
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JonBSep 12, 2007
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KeithY.Aug 11, 2002Fantastic! Must buy!