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Apr 1, 2013Dear Miss Lonelyhearts is more about what the band does best rather than breaking new ground, and the result is some of Cold War Kids' most promising and satisfying music since their debut.
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UncutApr 1, 2013Four albums in, and Cold War Kids still feel like a band trying to decide what they are. [May 2013, p.69]
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Q MagazineApr 9, 2013At only 37 minutes long, it never outstays its welcome. [May 2013, p.99]
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Apr 2, 2013They’ve stopped trying to do indie rock by numbers and gone back to the sort of idiosyncratic weirdness that made us fall for them in the first place.
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Apr 22, 2013All the literary ambitions and drama-rock gestures fall in a ponderous heap--like CWK are losing an arms race with their own pretensions.
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Apr 1, 2013While the album does lose some of its focus and direction towards the end, Dear Miss Lonelyhearts is undoubtedly a much better album than Mine Is Yours.
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Under The RadarJun 13, 2013Singer Nathan Willett's voice comes off as wandering over uninspired changes. [Jun-Jul 2013, p.97]
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Apr 8, 2013It’s an album that washes over, vying for attention, but never quite succeeds in grabbing it, and never quite living up to what Cold War Kids could be.
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Apr 2, 2013Dear Miss Lonelyhearts is not the breakthrough into critical acclaim either, hampered by innocuous words and the lack of personality in the arrangements and individual players, Matt Aveiro, Matt Maust and new guy Dann Gallucci.
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Apr 5, 2013Dear Miss Lonelyhearts fails to reach back far enough to the band’s less polished, indie blues-fueled Robbers & Cowards days, but at least integrates that sound with hints of the striving-for-stadiums pop-rock Mine Is Yours offered up.
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Apr 1, 2013As a whole, it feels slightly temporary and detached, largely thanks to its uneven pacing and experimental streak.
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Alternative PressApr 1, 2013After the wet noodle that was 2011's Mine Is Yours, California indie purveyors Cold War Kids come back al dente on Dear Miss Lonelyhearts. [May 2013, p.84]
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Apr 8, 2013Certainly this record is relevant, and maybe even worth listening to with some regularity. But I can't help but feel that this album is just a watered down Arcade Fire rather than the aural adventure that others seem to hear.
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MagnetApr 16, 2013Occasionally a bright guitar line or luminous touch of piano floats out of the mix to deliver a hint of sunshine, but mostly the band does a skillful job of supporting Nathan Willett's anguished vocals. [No. 97, p.54]
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Apr 2, 2013At least seven of the 10 tracks score immediately.
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Apr 3, 2013Themes of maturation again flow through, yet some tracks (“Jailbirds,” “Bottled Affection”) recognize the trade-off between freedom and insecurity of youth.
User score distribution:
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Positive: 14 out of 16
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Mixed: 1 out of 16
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Negative: 1 out of 16
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Apr 6, 2013
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Apr 4, 2013