• Record Label: Sub Pop
  • Release Date: Sep 28, 2018
Metascore
75

Generally favorable reviews - based on 17 Critic Reviews

Critic score distribution:
  1. Positive: 14 out of 17
  2. Negative: 0 out of 17
Buy Now
Buy on
  1. Oct 17, 2018
    90
    You probably wouldn’t have started 2018 predicting that a 50-something bunch of grunge-era survivors would produce one of the most startling, exciting and vital albums of the year, but the sheer strangeness of the times dictates that that’s exactly what’s happened.
  2. Oct 1, 2018
    90
    Digital Garbage is as blunt as it is thoughtful and the songs here truly rip at a time when some seem keen to let civility and common sense rest in peace.
  3. Oct 1, 2018
    80
    Mudhoney have released an astute, politically relevant and commendably fired-up garage punk belter of an LP. Aye, it blindsided me too.
  4. Sep 28, 2018
    80
    With Digital Garage, Mudhoney have provided the noise-escape of the year. The war may never be won, but at least now we’ve got somewhere to hide when it all gets a bit much.
  5. Sep 28, 2018
    80
    Come for the rage on Digital Garbage and stay for the rock. Both feel intense and purifying.
  6. Mojo
    Sep 25, 2018
    80
    A venomous, scabrous, often hilarious protest record, full of ramshackle blues, stinging garage-rock and the occasional brawny hardcore pelt. [Oct 2018, p.93]
  7. The Wire
    Sep 25, 2018
    80
    Digital Garbage is an honest and oddly selfless document of the time, impressively free from bravado. [Oct 2018, p.59]
  8. Sep 25, 2018
    80
    This may not quite be the best punk rock album about the Trump era you’ll hear in 2018--fellow 50somethings Superchunk already had a decent crack at that title--but it’s certainly one of the year’s most enjoyable bundles of rage. A thoroughly welcome return.
  9. Oct 1, 2018
    71
    Even Arm’s most acidic lyrics are tempered by some of the band’s tidiest performances to date.
  10. Oct 4, 2018
    70
    They simply sound like a better, defter, maybe even snottier version of their younger selves on their 10th album.
  11. Sep 27, 2018
    70
    Digital Garbage may not be the most eloquent expression of our frustrations, but it’s as cathartic and life-affirmingly juvenile as a well-placed middle finger.
  12. Uncut
    Sep 25, 2018
    70
    It's business as usual, but a welcome return nonetheless. [Nov 2018, p.32]
  13. Classic Rock Magazine
    Sep 25, 2018
    70
    These crusty old salts still know how to deliver solid, penetrating, life-affirming rock'n'roll. [Oct 2018, p.86]
  14. Sep 25, 2018
    70
    The ridiculousness of the song's lyrical content is the partly the point. Most likely listeners already keyed into Mudhoney's music and style will get it. This remains true for as a whole.
  15. Oct 2, 2018
    60
    If the lyrics are getting all the attention on Digital Garbage, it’s only because the music is exactly what you’d expect. Mudhoney’s sound hasn’t changed much since the early ‘90s. ... Mudhoney are comfortable with themselves to a fault.
  16. Kerrang!
    Sep 26, 2018
    60
    Their sound remains a punk-informed take on the abandon of '60s garage rock, a well-trodden style which they've nonetheless made their own. It turns out that shitty times make for an intriguing album. [29 Sep 2018, p.55]
  17. Q Magazine
    Sep 25, 2018
    60
    It's as unsanitised as ever, then, and , as such, makes Mudhoney's continued existence a cause for celebration. [Nov 2018, p.111]
User Score
7.0

Generally favorable reviews- based on 5 Ratings

User score distribution:
  1. Positive: 3 out of 5
  2. Negative: 0 out of 5
  1. Oct 5, 2018
    7
    Digital Garbage is a patchy offering but there are a few great tracks on the album. Kill Yourself Live, 21st Century Pharisees and Night andDigital Garbage is a patchy offering but there are a few great tracks on the album. Kill Yourself Live, 21st Century Pharisees and Night and Fog are my personal faves. Messiah's Lament is just plain awful however. Full Review »
  2. Oct 31, 2018
    7
    ( 77/100 )

    Este tipo de Punk, Garage Rock se me hace muy sensibles, pero eso es lo que le ha permitido volverse rentable y, a su vez,
    ( 77/100 )

    Este tipo de Punk, Garage Rock se me hace muy sensibles, pero eso es lo que le ha permitido volverse rentable y, a su vez, clásico. Sin Mudhoney y esa sensibilidad, bandas como Nirvana y Pearl Jam no hubieran tenido un comienzo, especialmente por la necesidad de un público. Mudhoney fue uno de los primeros éxitos de Sub Pop Records que permitió la aglomeración de una sociedad que se identifique con ese sonido golpeado, pesado, filoso y rápido del Garage Rock, por lo tanto, cuando Nirvana nace, ya había un público listo para ser sorprendido. Mudhoney nace en los 80s y crece en los 90s y han sobrevivido porque ya es muy difícil encontrar bandas que pertenezcan a esa corriente nativa del rock pesado y sensible ante el amor y la política y continúen presentándose. Después de "Vanishing Point" en el 2013, la banda expone este año "Digital Garbage", un álbum que expresa opiniones socio-políticas, usa las ironías y sataniza la intención activista del mismo. Mudhoney no se burla de la política y de la sociedad: la celebra y la disfruta. Le pide a la pólvora que explote para eliminar a la humanidad, tacha de hipocresía a la religión cristiana y canta la idea de ganar permanencia gracias a lo absurdo del sacrificio público en las redes sociales. La música es producida por Johnny Sangsters, y junto a la banda, logran presentar dos espacios, uno vocal y otro musical. Por lo tanto las canciones se dividen entre la voz del cantante y la voz de los instrumentos. La voz verbal no es molesta y llega a ser atractiva en varias aspectos, pero la voz musical se queda muy corta, pues no se siente bien aterrizada o concluida. Sin embargo, mientras más se escuchan las canciones, más amenas se vuelven y nuestra exigencia disminuye. A pesar del sentido de "incompletud", el estilo de la banda y su juego instrumental no permite que eso le quite el titulo de ser una banda dinámica y que tiene la capacidad de escoger que tan relevante quiere ser.
    Full Review »