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Its gravelly tones are certainly no thing of beauty, but when married to the right song Faithfull can still emote, still deliver. There's plenty of plain wrong material, though.
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She lacks the flexibility that jazz demands--she simply can't swing. But when she interprets material (from downbeat bards Randy Newman, Colin Meloy, and others) that matches the drug-ravaged wreckage of her vocal chords, she kills.
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Tthis Hal Willner-produced covers album (a kind of sequel to 1987's Strange Weather) is too baggy and diffuse to hold the attention, but Faithfull's formidable croak can really worm its way under a song's skin.
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MojoDespite her emotional punk-meets-Brecht contralto, Marianne's vocal limitations are clear on tracks like 'Easy Come, Easy Go' or Sondheim's Somewhere (A Place For Us)' which she struggles through with an overawed Jarvis Cocker. But she shines on songs that seem more personal to her. [Apr 2009, p.99]
User score distribution:
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Positive: 5 out of 6
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Mixed: 0 out of 6
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Negative: 1 out of 6
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EarlMApr 27, 2009
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AdrienSMar 30, 2009