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Aug 1, 2017Though Emerging Adulthood does push Croll far out of his personal comfort zone to a certain extent, it does feel like he could go further with the complexity. Nevertheless his musicianship is undeniable, as each and every instrument on the record is played by himself.
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Q MagazineAug 1, 2017This seems just to mean lots of beeps and bloops and using a theremin, rather than any structural inventiveness or lyrical avant-gardisms. Still, he's conjured a neat package of 10 perfectly listenable songs. [Sep 2017, p.106]
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Aug 1, 2017Occasionally he lands on a flourish that expresses something specific, like the jarring MIDI-ish guitar tone on 24 which, in its anxious jaggedness, is an apt counterpart to the lyrics 'Please don’t let it be a heart attack'. More often though, he’s happy to settle for novelty alone. And while that’s no crime, it’s unlikely to set your world on fire either.
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Aug 1, 2017Dan Croll’s follow-up to Sweet Disarray suffers from a kind of creeping anonymity: immediately after hearing it, it’s virtually impossible to recollect the salient features of any track.
User score distribution:
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Positive: 6 out of 7
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Mixed: 0 out of 7
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Negative: 1 out of 7
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Apr 22, 2023
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Aug 23, 2022One of the worst albums I've ever heard, I agree with all the criticisms made of it