Empros - Russian Circles
Empros Image
Metascore
86 out of 100

Universal acclaim - based on 15 Critics What's this?

User Score
8.3 out of 10

Universal acclaim- based on 12 Ratings

Your Score
0 out of 10
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  • Band members: Mike Sullivan, Brian Cook, Dave Turncrantz
  • Summary: The fourth full-length album for the Chicago instrumental metal band was produced by Brandon Curtis of The Secret Machines.

Critic Reviews

Score distribution:
  1. Positive: 15 out of 15
  2. Mixed: 0 out of 15
  3. Negative: 0 out of 15
  1. Absolute Punk (Staff reviews)
    Nov 1, 2011
    93
    There's a determination in the undertone of the album. That determination in crafting of a band's best record to date, only covered by the confidence it lets off as well.
  2. Drowned In Sound
    Nov 16, 2011
    80
    Empros is consistently epic and life-affirming without ever delving into over-emotional cliché.
  3. Kerrang!
    Nov 29, 2011
    80
    What unites all six fantastically constructed pieces on this album is the sound of a band delivering on their potential, and then some. [Nov. 19, 2011 p. 52]
    All this publication's reviews
  4. Magnet
    Nov 21, 2011
    80
    Circles finds the band leaving a bit of the motorik behind for more melodic and dynamic territory. [#82, p.57]
    All this publication's reviews

See all 15 Critic Reviews

User Reviews

Write a Review
Score distribution:
  1. Positive: 2 out of 2
  2. Mixed: 0 out of 2
  3. Negative: 0 out of 2
  1. suspender
    10
    OOO DANG their best stuff yet! Harder, Prettier, more concise, and more experimental than anything they've ever done before. The album works as a whole, with NO skippable tracks. I can only imagine what it's gonna be like live GEEZ… Expand
  2. pacoscorcho
    8
    I like the progression here. The obvious definition of the tracks embodies the change of pace throughout the album. Each track has a well credited emotion. I find this as a negative though as I much more enjoyed the cohesiveness of 'Station' where the storytelling nature of the varying rhythms and rigid elements encompassed within each track appeared to flow more fluidly. 'Station' is more like a movie with all the important elements where 'Empros' seems to be more of a drawn out journey of highs and lows. As I get into my car and turn up the volume, the journey heads in a positive direction.… Expand

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