• Record Label: Island
  • Release Date: Aug 28, 2020
User Score
7.9

Generally favorable reviews- based on 25 Ratings

User score distribution:
  1. Positive: 20 out of 25
  2. Negative: 0 out of 25
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  1. Aug 28, 2020
    7
    It’s a weird album to be honest but it’s refreshing even though sometimes it tends to get tired with some beats.
  2. Aug 28, 2020
    7
    It's certainly up to par with the rest of their catalogue, but perhaps Disclosure is too eager to stay in their lane.
  3. Aug 30, 2020
    7
    There's definitely some bangers in here, but also some filler. Nevertheless, tracks like "My High" go into unexplored territory for Disclosure. The collaborations are not that conventional as in Caracal, but some are forgettable. All in all, a good album from the duo.
  4. Aug 28, 2020
    10
    Perfect for clubbing alone during quarantine! I loved the album, even if it's less pop and more dance/club music.
  5. Jan 26, 2023
    10
    Hello, this is a default review because i'm forced to use 75 characters. I'll edit this review in the future talking about the game, don't worry ;)

    My final rate is: 10
Metascore
72

Generally favorable reviews - based on 15 Critic Reviews

Critic score distribution:
  1. Positive: 10 out of 15
  2. Negative: 0 out of 15
  1. Sep 4, 2020
    60
    Energy peaks early. The loping and gleaming "Lavender," a meeting with brash Channel Tres, and the atmospheric garage scuttler "Who Knew?," featuring Mick Jenkins in wholehearted singer mode, have enough homing power to illuminate Club Lonely.
  2. Sep 3, 2020
    80
    Disclosure have always had an attention to detail in their production that gives the songs that much more depth, be it the irresistible breakdown one minute from the end of Douha (Mali Mali) or the fluttering arpeggios that populate closing track Reverie. And in this respect, as well as songwriting, structure and guest selection, they’re back like they never left.
  3. Sep 1, 2020
    60
    Disclosure works best when the duo taps into its inherent feel for the underground dancefloor and has its collaborators follow its lead, which it does on the majority of ENERGY.