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- Artist(s): Andrew Fearn, Jason Williamson, Simon Parfrement
- Summary: The fourth full-length release for the British post-punk duo was recorded in London at Steve Mackey's studios.
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- Record Label: Rough Trade
- Genre(s): Pop/Rock, Alternative/Indie Rock
- More Details and Credits »
Top Track
B.H.S. | |
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It's at night when they come, When I'm alone, and not with anyone, Through the shouts and music, of the crowd down the road boozing, Near the free... | See the rest of the song lyrics |
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Score distribution:
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Positive: 17 out of 20
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Mixed: 3 out of 20
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Negative: 0 out of 20
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UncutFeb 22, 2017Stream-of-consciousness ranting has helped Sleaford Mods develop songwriting which is doubtful, while retaining its intensity. [Apr 2017, p.31]
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The WireJun 2, 2017The utter rubbishness of Britain, its cruelty, inequality and blatant cultural crapness is once again perfectly captured by Sleaford Mods, a couple of middle aged blokes who are as grizzled and worn as the stuff Williamson shout-sings about. [Apr 2017, p.57]
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MojoFeb 22, 2017A brilliant piece of art. [Mar 2017, p.91]
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Mar 3, 2017It returns to the sly humor, the hypnotic barking aggression, the occasional whiffs of wistful tune-ish-ness slipped in between robotic beats of Divide and Exit and maybe does it one better.
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Mar 13, 2017With echoes of the Fall and Throbbing Gristle, the stark tracks fittingly recall an era that demanded engaged art.
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Mar 6, 2017If English Tapas at times veers towards formula, it’s at least Sleaford Mods’ own formula, and one that continues to serve them well.
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Mar 6, 2017Unfortunately, the plodding repetition soon rears its ugly head again, and stays for the duration.
Score distribution:
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Positive: 0 out of
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Mixed: 0 out of
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Negative: 0 out of