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The overall effect is intoxicating -- some sort of triangulated point in the middle of REM, New Order and Statistics.
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Their country-sagged beat-focused rock remains, which, coupled with some sumptuous keys and Andy LeMasters notoriously unnerving range, reveal Now Its Overheads startling magnetism.
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Alternative PressClosely approximates what Tears For Fears' The Hurting would have sounded like if Roland Orzabal and Curt Smith had grown up in Georgia. [Apr 2004, p.84]
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This is a rare example of music transcending lyrics in conveying the works meaning.
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Fall Back Open is a well-constructed modern pop record that displays some neat influences and also contributes a good deal of its own.
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Despite its slowcore pedigree, Fall Back manages to stand solidly on its own haunted ground, forging a yet-to-be-realized level of tender creativity.
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MojoDusky, angsty synth-pop. [Apr 2004, p.103]
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Fall Back Open builds its Brian Eno-esque architecture into a warm, vulnerable document of searching and fear of connection, resulting in a pleasantly engaging and subtly memorable offering.
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SpinA Death Cab For Cutie album you can listen to while ironing your cape. [Apr 2004, p.94]
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The A.V. ClubSome of the soundscapes on Fall Back Open sound featureless and flat, but most are amazingly accomplished given Now It's Overhead's youth and modest means. [17 Mar 2004]
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Fall Back Open is more reminiscent of the arid, slow-burning side of the debut ("With a Subtle Look" comes to mind) than its upbeat fare, a reverb-drenched cruise missile flying in relentless slow-motion, like Calla with a pulse and a cherubic blond singer who could have gone boy-band as easily as indie-land.
User score distribution:
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Positive: 2 out of 3
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Mixed: 1 out of 3
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Negative: 0 out of 3
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SummerBApr 20, 2005absolutely beautiful. i can't think of anything that's not amazing about this album.
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giuliaFeb 7, 2005sorry, i dont like the voice. its sounds nearly as bad as the one of the placebo guy
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JamesHSep 9, 2004Not as good as the EP but still a dreamy atmospheric brilliant album.