User Score

Universal acclaim- based on 10 Ratings

User score distribution:
  1. Positive: 10 out of 10
  2. Mixed: 0 out of 10
  3. Negative: 0 out of 10

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  1. Nov 18, 2010
    Purely genius! I love every songs in this album. Looks like Norah has returned to her Jazz root in this album and it suits her perfectly. What a surprise to hear Foo Fighters and Outkast here, their voices fit so well with Norah.
  2. Dec 1, 2010
    If anyone ever doubted Norah's ability to transcend all genres, this album ends the argument. Jones shows her skill to adapt to perform with anyone, in any style. The album will contain an instant favorite for anyone that listens to it as it has something for everyone. Personally, I enjoy the somewhat improv track with Q-Tip in which one can see Norah Jones apply her voice to a sort of R & B genre (I would say hip-hop, but that is found on the Talib Kweli track). Jones creates an instant classic with Ray Charles on "Here we go again". The album allows Norah to spread her wings and glide into territories usually untouched by someone of her prowess. You have to hear the collaborations to understand... Expand
  3. Feb 2, 2011
    Didn't even know this was coming out till I went to get my morning latte at Starbucks. Great idea to put together a collection of her collaborations - it showcases just how versatile she is across genres and every track is solid. Hope she keeps pushing the jazz label and does what feels right for her.
  4. May 7, 2012
    Check out our full review at Manik Music:

    In 2002, Norah Jones released her debut album, Come Away With Me. It ended up selling a whopping 22 million copies, netting her several Grammys, and solidifying her as one of the emerging â

Generally favorable reviews - based on 14 Critics

Critic score distribution:
  1. Positive: 9 out of 14
  2. Negative: 1 out of 14
  1. Dec 23, 2010
    Her collaborations, from Foo Fighters to Ray Charles. [Jan. 2011, p. 151]
  2. Dec 23, 2010
    ...Featuring might make a great stocking stuffer for mom, but even she might have trouble swallowing over an hour of Jones; innocuous and predictable soft rock. [Year End 2010, p.77]
  3. Dec 20, 2010
    These 18 collaborations are a fascinating voyage through the classier end of pop, country and R&B over the past decade, and also add much needed focus to Jones (sometime insipid) mix of country and smooth jazz. [Jan 2011, p.93]