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Even if it is a very impressive statement overall, Figure 8 isn't quite the masterpiece it wants to be -- there's something about the pacing that just makes the record feel long...
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There are no real surprises on Figure 8, just the same gorgeous, soft vocals and acoustic guitar heard on his previous releases...
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Checkout.comIt's a sweeping, gorgeous masterwork that draws upon a collage of pop flavors from the last four decades, brightly burning the eternal singer/songwriter flame and touching down for a couple of power pop punches.
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His music has always straddled the line between fragility and triviality, and too much of ''Figure 8'' falls on the wrong side of that divide.
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Smith makes a valiant effort to match the austere beauty of XO... Still, he falls short on the most important element of his songs, the vocal melodies.
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A dreamy, layered work that merely ups the rock ante of his perfectly balanced 1998 release, XO -- an exquisite union of wistful acoustic stylings and polished pop.
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This relentlessly engaging album hangs together even better than its illustrious predecessor.
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Smith retains the Lennon-esque simplicity and quirky lyrical phrasing that earned him critical praise in the past even as he digs deeper into his psyche and attempts to work through an off-kilter world.
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An album awash with pretty ambiguities and difficult twists.
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But while Elliott Smith includes some of his least inspired music of all time on Figure 8, he also surprisingly pulls out some of his best to date.
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Most riveting are the ballads, where he conveys a devastating truth with conversational ease.
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For all their harmonic convolutions and tucked-away chorales, the arrangements exude modesty, without the arena-size inflation of Beatle-fan bands like Oasis...
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Call it thinking-man's pop from a reluctant star, but Figure 8 is a "grower." However weird it may sound initially, it merits repeated listenings.
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The record is not a disappointment, it's a progression.
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Smith's talent lays in his ability, like Tom Waits, to create a surreal landscape populated by crafty guitar and piano work and a haunting, layered voice that climbs cheek to cheek with his instruments to create something unheard of today.
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A strong collection of lush, densely arranged power-pop and inimitably intimate ballads?
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While nothing here fails the consistent artistry of his work, neither does any of it make the direct connection to a soul and heart.
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Smith has shifted his focus away from crafting the perfect pop epic; though this description fits several of the new tracks ("Son of Sam," "Junk Bond Trader"), there are just as many melodic fragments or simply structured ballads ("Everything Reminds Me of Her," "Somebody That I Used to Know").
Awards & Rankings
User score distribution:
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Positive: 69 out of 76
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Mixed: 1 out of 76
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Negative: 6 out of 76
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Sep 7, 2010
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Mar 5, 2014
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Aug 14, 2011