Metascore
74

Generally favorable reviews - based on 12 Critic Reviews

Critic score distribution:
  1. Positive: 7 out of 12
  2. Negative: 0 out of 12
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  1. Jan 5, 2018
    60
    If you sometimes miss Tigers’ unruly improv-tumult, the pay-off is an album of poised beauty with its own pocket-universe logic, exemplified by the softly searching communion of synthetic/organic sounds on Marsh Chorus.
  2. 60
    Inspired by a shared affinity for the Suffolk landscape, these are mostly small, pastoral ambient pieces which drift, as the title suggests, over the shifting coastal flatlan.
  3. Dec 8, 2017
    60
    It is in this record’s opening salvo and in its closing stages that its aim, of reflecting the natural beauty of eastern England, where both Rogerson and Eno grew up, comes closest to being accomplished.
  4. Mojo
    Dec 5, 2017
    60
    A sprinkling of more angular, dissonant tracks, like the clanging Eastern Stack, may sail a little too close to his soi-disant "jazz that nobody asked for" for some tastes. [Jan 2018, p.96]
  5. Uncut
    Dec 5, 2017
    60
    The result is an impressionistic and intriguing set of instrumentals that draw on an eclectic set of influences from the obvious (Satie and Glass) to the surprising (gamelan and Robert Miles). [Jan 2018, p.24]
User Score
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No user score yet- Awaiting 2 more ratings

User score distribution:
  1. Positive: 2 out of 2
  2. Mixed: 0 out of 2
  3. Negative: 0 out of 2
  1. Sep 13, 2018
    7
    An enjoyable excursion; more upfront and melodic than the floating ambient atmospheric works Harold Budd made with Brian Eno. Makes me wantAn enjoyable excursion; more upfront and melodic than the floating ambient atmospheric works Harold Budd made with Brian Eno. Makes me want to know more about this Rogerson guy. Full Review »