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Oct 30, 2014It's bold, maybe even avant-garde, but from beginning to end it's raucous, barnstorming, chair-dancing fun.
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The WireDec 16, 2014It's not just Hertz's technical nous that makes Flatland so compelling, but his commitment to forging something lucid, plastic and expressive, music that blurs the line between hyper reality and the topsy-turvy world of imagination. [Dec 2014, p.51]
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Oct 30, 2014Flatland feels perfectly formed out of the clay of a multitude of styles, and, with rhythms this tight, it's something of a triumph, even if it reflects nothing back but strobe lights.
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Oct 30, 2014Throughout Flatland, Objekt reclaims his genre's all-too-familiar affectations by making us hear them for the first time all over again.
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UncutDec 4, 2014It is impressive on a technical level. [Jan 2015, p.76]
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Oct 30, 2014Though this is his most contemplative release to date, Flatland still seems fidgety, with each track seemingly owing little to the ones before it.