Buy Now
| Buy on |
|
- Critic score
- Publication
- By date
-
Q MagazineJun 29, 2016Deftly deploying percolating electronica, natural instruments and overlapping vocal lines all the more emotionally gripping for the studied semi-affectlessness of Georgas's intimate delivery, Walsh transforms good songs into a great record. [Aug 2016, p.112]
-
Jun 29, 2016With its rich sonic landscape and Georgas' confident lyrics, For Evelyn is a great record, but perhaps more importantly, it also shows that Georgas is getting better and better with each release.
-
Jun 29, 2016Nothing about For Evelyn feels resolved. A restless quality drives each track, resulting in a thoughtful, solitary album that you listen, cry and even dance to alone. Yet after it's over, you're left feeling less alone, because through its intimate explorations, Georgas makes the personal universal.
-
UncutJun 29, 2016The best moments are often the most self-excoriating. [Aug 2016, p.75]
-
Jun 29, 2016While her sonic template, modern and spare yet lush, works wonders for “Don’t Go,” it’s otherwise isolated moments — the discordant saxophone blats pulling her toward St. Vincent in the danceable and lopsided “Waste”; the chewy synth bassline of “Crazy [Expletive]”; and the line “When you left me, I was ready for you to leave” in “Walls”--that suggest an excitement the songs can’t quite sustain.