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Apr 8, 2016Forever Sounds (Shake It/Damnably) is a kaleidoscopic, sonic soundscape, engagingly recorded at John Curley’s (Afghan Whigs) facility, Ultrasuede Studios.
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MagnetMar 30, 2016Forever Sounds’ strength is in its emphasis on the sound of the band, echoing its increasingly confi dent, assured live show. [No. 129, p.57]
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Mar 4, 2016The distinct pleasures of Forever Sounds remain those of all five preceding Wussy albums--a crack songwriting duo detailing adult life’s ambiguities with vivid language amid a terrific rhythm section’s unapologetic alt-slop. They’ve retained their love of six-string grandeur even while continuing to plumb the depths of victories that aren’t so much hollow as qualified.
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Mar 4, 2016Calling Forever Sounds a masterpiece would probably be wildly premature, but this is a deeply satisfying work that reveals new pleasures with repeated listens, and reminds listeners this band is still expanding on what they do best.
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Mar 4, 2016The shining jewels in Forever Sounds’s crown are the ones where Warner takes centre stage, and shines a light on her own cryptic narratives.
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Mar 4, 2016These recordings might be less melodic than what the band has given us in the past, but they’re no less attentive.
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Mar 9, 2016Where Walker sings more naturally, with easier tones, Cleaver's shy, young-old voice is a reassuring presence beneath the music’s astral blanket. That they both sound overwhelmed by Forever Sounds’ vast scale is in fact the record’s saving grace; as ever, Wussy’s proximity to ordinariness is precisely what makes them lovable.
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Mar 25, 2016It all makes for a fascinating, moving collection of songs. No, they’re not the best band in America, but they are worthy of your time and attention.
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Mar 4, 2016Songs that are perfectly pitched to suit fans of Pixies, Daniel Johnson and Drive By Truckers; Lisa Walker on the other, working like Margo Timmins to make his harder (She’s Killed Hundreds) and funnier (Hello, I’m a Ghost) material more plaintive (Donny’s Death Scene, Hand of God).