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Foreverland Image
Metascore
74

Generally favorable reviews - based on 12 Critic Reviews What's this?

User Score
7.6

Generally favorable reviews- based on 14 Ratings

  • Summary: This is the 11th full-length studio release for the orchestral pop band led by Neil Hannon.
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Top Track

To the Rescue
So many heartbreaks So little time Too many tragedies Too many crimes Put on your body armor Prepare your alibis Cause there is no one else Gonna put... See the rest of the song lyrics
Score distribution:
  1. Positive: 9 out of 12
  2. Negative: 0 out of 12
  1. Sep 13, 2016
    80
    He and his band seem to not only have perfected the genre of orchestral pop, but to have perfected their own balance of goofiness and sincerity. It’s a peculiar kind of funny and it’s strangely attractive.
  2. Mojo
    Sep 6, 2016
    80
    Funny, learned and poignant by turns, Foreverland is a masterfully-arranged, part-chamber-pop record underpinned by Hannon's natural playfulness. [Oct 2016, p.93]
  3. Q Magazine
    Sep 6, 2016
    80
    When he departs from the template, Foreverland truly excels. [Oct 2016, p.107]
  4. Sep 1, 2016
    70
    If you're not a fan of strings, drama, and flamboyance, Foreverland is going to wear on you. But if you're a sucker for them, get ready for your fill.
  5. Magnet
    Oct 18, 2016
    70
    Discerning Anglophiles will warm to the charms of the Divine Comedy's 11th album, Foreverland. [No. 136, p.55]
  6. Uncut
    Sep 2, 2016
    70
    Sumptuous, orchestra pop lace with lyrical acerbity. [Oct 2016, p.28]
  7. Sep 2, 2016
    50
    Foreverland embraces the clichés and largely follows a formula. Certain subject matter and song titles perpetuate a particular illusion and the middle of the road radio play has trickled in according to plan.

See all 12 Critic Reviews

Score distribution:
  1. Positive: 0 out of 1
  2. Negative: 0 out of 1
  1. Sep 4, 2016
    5
    It sometimes feels as if Neil Hannon has been releasing the same album for the past decade and in many ways this is no departure from theIt sometimes feels as if Neil Hannon has been releasing the same album for the past decade and in many ways this is no departure from the formula he's previously used. Whilst this one doesn't grate as much as its predecessor 'Bang Goes the Knighthood', it's still unable to escape the whimsical air he invests all of his output with these days.
    Sure, it's a celebration of love, an ode to his current partner, but it all seems so very slight and inconsequential. For diehards only, I'd suggest.
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