• Record Label: Reprise
  • Release Date: Apr 26, 2024
Metascore
81

Universal acclaim - based on 8 Critic Reviews

Critic score distribution:
  1. Positive: 8 out of 8
  2. Mixed: 0 out of 8
  3. Negative: 0 out of 8
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  1. May 6, 2024
    80
    What it is is 64 minutes of blistering, heart-racing rock ‘n’ roll that, somehow, digs its claws deeper into the heaviness of Ragged Glory’s original piercing, head-splitting distortion.
  2. May 2, 2024
    76
    Fu##in’ Up makes a convincing case for Ragged Glory as the definitive Crazy Horse album, showcasing the group in their purest, crudest state, without any of the counter-balancing pop singles or acoustic reprieves that colored more hallowed classics like Everybody Knows This Is Nowhere and Zuma.
  3. 80
    Young and Crazy Horse never perform their songs in quite the same way each night, of course, and Fu##in’ Up exemplifies that spontaneous, exploratory spirit. Listening to these geezers whipping up a hurricane of monolithic thud and skronk is always irresistible. [Jun 2024, p.74]
  4. Apr 24, 2024
    70
    It's rough-around-the-edges fun, with the warmth of familiarity and kinship that Neil Young & Crazy Horse have built by playing together for more than half a century.
  5. Apr 24, 2024
    80
    There's an undeniable zip to these. [Jun 2024, p.82]
  6. Uncut
    Apr 24, 2024
    80
    Fu##in Up captures Young and the Horse on blazing form. Nelson makes acapable duelling partner for Young, working intuitively alongside Old Black’s grizzled solos, while Lofgren’s honky-tonk piano lends ashimmying quality to these craggy, elemental songs. [May 2024, p.41]
  7. Apr 24, 2024
    80
    Despite their garage rock machismo, Neil Young and Crazy Horse are ultimately old-school romantics. They deliver hard-won life lessons amidst their squalling guitars and Molina’s insistent drumbeat.
  8. Apr 24, 2024
    80
    Though Fu##in’ Up maintains the same track sequence as Ragged Glory, the titles have changed, each borrowing a lyric from the songs themselves. And when the album does deviate musically from its source material, it does so with subtlety and purpose.

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