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Not everything here works, not by a long shot, but the overall impression is that Liz Phair has finally reconnected with the spirit of Girlysound--which, contrary to popular opinion, wasn't all serious--and is on her way to once again being a compelling artist unafraid to take risks.
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With Funstyle, she has crafted above all else an experience, and one that is entertaining and rewarding in ways that few records can be. It's an arduous listen, and as music it is unquestionably terrible; but as a musical experience, it's something that shouldn't be missed.
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Although the four infamous tracks might be regarded as novelties in the Liz Phair repertoire, the entire album plays as a fascinating experimental work of an artist trying to dodge your negative abuses by coming at it from unexpected angles.
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These tough-to-decipher tracks don't feel like mistakes; they're attempts at something new, and any one could lead Phair somewhere interesting. Scattered among them are songs in which she sticks to what she does best, and they'll satisfy any fan who puts down her preconceptions and takes the time to find them.
User score distribution:
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Positive: 9 out of 17
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Mixed: 4 out of 17
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Negative: 4 out of 17
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Oct 19, 2010
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Jul 28, 2022
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May 15, 2018better than the last two records she released but still **** but at last it's a good ****