Further Complications


Generally favorable reviews - based on 27 Critics

Critic score distribution:
  1. Positive: 21 out of 27
  2. Negative: 0 out of 27
  1. The songs here pulsate with perversion, a middle-aged man making damn sure that he's going to get with a tight 23-year-old body yet again; it's the sound of a fetishist turned sexual omnivore.
  2. The raucousness of 'Homewrecker!' or the title track will come as a definite surprise to longtime Cocker watchers, though not necessarily a bad one. And the man's droll wordplay is still the dominating factor.
  3. Steve Albini’s production retains some of the lushness Cocker favored on Pulp’s later albums and his solo debut, while investing it with a new punchiness. The approach ups the drama on Cocker’s tales of mid-life desire and failure.
  4. It’s his most focused album in over a decade, and ought to absolutely kill onstage.
  5. Minor missteps aside, Further Complications is a bold, progressive step forward in the so far, so very good solo career of Jarvis Cocker.
  6. It’s a success. Whether he keeps on in this vein or branches out even further, this album proves you can, in fact, teach an old letch new tricks.
  7. 80
    Neither Cocker's chewy structures nor his voice's subtle shadings are particularly well suited to Albini's you-are-there engineering. Fortunately, this collection of surging and reeling tunes is the former Pulp frontman's strongest since "Different Class."
  8. 80
    It’s a wonderful surprise that Further Complications turns out to be such a reinvigorated piece of work. Much of this freshness must be down to the working methods of producer Steve Albini.
  9. The result is an album thick with a humid sense of decaying sexuality, a desperate voraciousness made even grimier by the gritty production.
  10. Long branded a thinking man's rocker, Cocker seems refreshed to simply bash through an electrifying set of tunes concerned more with appropriate vibe than surgical precision. It's deeper than you think.
  11. This second solo album is so strong that a listening moves from why to why-not territory rather quickly.
  12. Unlike the best of those artists, however, the variety of ideas on Further Complication do not have a uniform success rate to bond them, and this is what stops the album short of reaching classic status.
  13. Q Magazine
    It's a flinty rock record that lets Cocker's inner guitar beast out. [Jun 2009, p.118]
  14. Produced by Steve Albini, Cocker's excellent second solo disc sets hilariously over-the-top come-ons to bruising garage rock and woozy soul.
  15. His solo follow-up, though, is a more personal affair, dissecting the onset of middle-age, physical decrepitude and the end-game of marriage (he split from his wife not long after finishing this).
  16. Brit pop aesthete goes Rawk--sort of.
  17. This newest Cocker incarnation restages this conflict in a way that establishes his continuing vitality and creativity and confirms that his sardonic wit has only sharpened with time.
  18. Initial listens may lead you to believe it’s a little non-descript, but there’s reward in perseverance.
  19. Under The Radar
    Stripped down to the bone, the tracks here reveal the chinks in Cocker's armor with gloriously broken results. [Summer 2009, p.65]
  20. While his songwriting remains funny and incisive at 45, ostensibly ballsier numbers like 'Fuckingsong' and 'Angela' veer dangerously close to bar-band boneheadedness.
  21. This is a record that's more intriguing than entertaining. Cocker's warmth and wit are in short supply, as is the sweeter side of his melodic gifts.
  22. With Cocker frequently shouting to be heard over the rock racket, Further Complications is best when the music quietens, allowing the singer's glorious one-liners to be savoured.
  23. His new album, Further Complications--musically more immediate, lyrically more beleaguered--was engineered by Steve Albini, whose aesthetics dictate big drums, big guitars and small vocals. So Mr. Cocker is shouting to be heard, which only improves on his comic persona.
  24. The meta quality of the immoral, libidinous singer refracted through unblinking irony feels too transparent for a songwriter of Cocker's depth.
  25. His brilliant, whispery, Gainsbourgh-like vocal delivery is replaced by base shouting, his hilarious wordplay reduced to grating, beat-poet-like observations.
  26. Mojo
    Much of it is unreconstructedly rockist. [Jun 20009, p.102]
User Score

Universal acclaim- based on 12 Ratings

User score distribution:
  1. Positive: 2 out of 2
  2. Mixed: 0 out of 2
  3. Negative: 0 out of 2
  1. Jan 24, 2012
    Excellent follow up to **** self titled debut solo record. This is a far more rockier effort. Its spikier, more emotional, more consistent andExcellent follow up to **** self titled debut solo record. This is a far more rockier effort. Its spikier, more emotional, more consistent and generally better than "Jarvis". As a whole album this is as good as anything Pulp ever did. It doesn't have any real singles on it but it's full of melodies and his usual clever lyrics. Slush and Caucasian Blues are the stand out tracks for me but there are so many to pick from. Long Live JC. Full Review »
  2. MatthewO
    May 27, 2009
    Almost as great as his first solo album.