Further Complications - Jarvis Cocker
Metascore
74

Generally favorable reviews - based on 27 Critics

Critic score distribution:
  1. Positive: 21 out of 27
  2. Negative: 0 out of 27
  1. The songs here pulsate with perversion, a middle-aged man making damn sure that he's going to get with a tight 23-year-old body yet again; it's the sound of a fetishist turned sexual omnivore.
  2. It’s his most focused album in over a decade, and ought to absolutely kill onstage.
  3. The raucousness of 'Homewrecker!' or the title track will come as a definite surprise to longtime Cocker watchers, though not necessarily a bad one. And the man's droll wordplay is still the dominating factor.
  4. Steve Albini’s production retains some of the lushness Cocker favored on Pulp’s later albums and his solo debut, while investing it with a new punchiness. The approach ups the drama on Cocker’s tales of mid-life desire and failure.
  5. Unlike the best of those artists, however, the variety of ideas on Further Complication do not have a uniform success rate to bond them, and this is what stops the album short of reaching classic status.
  6. 80
    It’s a wonderful surprise that Further Complications turns out to be such a reinvigorated piece of work. Much of this freshness must be down to the working methods of producer Steve Albini.
  7. It's a flinty rock record that lets Cocker's inner guitar beast out. [Jun 2009, p.118]
  8. 80
    Neither Cocker's chewy structures nor his voice's subtle shadings are particularly well suited to Albini's you-are-there engineering. Fortunately, this collection of surging and reeling tunes is the former Pulp frontman's strongest since "Different Class."
  9. Minor missteps aside, Further Complications is a bold, progressive step forward in the so far, so very good solo career of Jarvis Cocker.
  10. The result is an album thick with a humid sense of decaying sexuality, a desperate voraciousness made even grimier by the gritty production.
  11. This second solo album is so strong that a listening moves from why to why-not territory rather quickly.
  12. Long branded a thinking man's rocker, Cocker seems refreshed to simply bash through an electrifying set of tunes concerned more with appropriate vibe than surgical precision. It's deeper than you think.
  13. It’s a success. Whether he keeps on in this vein or branches out even further, this album proves you can, in fact, teach an old letch new tricks.
  14. His solo follow-up, though, is a more personal affair, dissecting the onset of middle-age, physical decrepitude and the end-game of marriage (he split from his wife not long after finishing this).
  15. Stripped down to the bone, the tracks here reveal the chinks in Cocker's armor with gloriously broken results. [Summer 2009, p.65]
  16. Initial listens may lead you to believe it’s a little non-descript, but there’s reward in perseverance.
  17. Produced by Steve Albini, Cocker's excellent second solo disc sets hilariously over-the-top come-ons to bruising garage rock and woozy soul.
  18. This newest Cocker incarnation restages this conflict in a way that establishes his continuing vitality and creativity and confirms that his sardonic wit has only sharpened with time.
  19. Brit pop aesthete goes Rawk--sort of.
  20. While his songwriting remains funny and incisive at 45, ostensibly ballsier numbers like 'Fuckingsong' and 'Angela' veer dangerously close to bar-band boneheadedness.
  21. With Cocker frequently shouting to be heard over the rock racket, Further Complications is best when the music quietens, allowing the singer's glorious one-liners to be savoured.
  22. This is a record that's more intriguing than entertaining. Cocker's warmth and wit are in short supply, as is the sweeter side of his melodic gifts.
  23. His new album, Further Complications--musically more immediate, lyrically more beleaguered--was engineered by Steve Albini, whose aesthetics dictate big drums, big guitars and small vocals. So Mr. Cocker is shouting to be heard, which only improves on his comic persona.
  24. The meta quality of the immoral, libidinous singer refracted through unblinking irony feels too transparent for a songwriter of Cocker's depth.
  25. 40
    Much of it is unreconstructedly rockist. [Jun 20009, p.102]
  26. His brilliant, whispery, Gainsbourgh-like vocal delivery is replaced by base shouting, his hilarious wordplay reduced to grating, beat-poet-like observations.
User Score
8.3

Universal acclaim- based on 11 Ratings

User score distribution:
  1. Positive: 2 out of 2
  2. Mixed: 0 out of 2
  3. Negative: 0 out of 2
  1. Jan 24, 2012
    9
    Excellent follow up to **** self titled debut solo record. This is a far more rockier effort. Its spikier, more emotional, more consistent andExcellent follow up to **** self titled debut solo record. This is a far more rockier effort. Its spikier, more emotional, more consistent and generally better than "Jarvis". As a whole album this is as good as anything Pulp ever did. It doesn't have any real singles on it but it's full of melodies and his usual clever lyrics. Slush and Caucasian Blues are the stand out tracks for me but there are so many to pick from. Long Live JC. Full Review »
  2. MatthewO
    May 27, 2009
    8
    Almost as great as his first solo album.