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Fuse Image
Metascore
80

Generally favorable reviews - based on 19 Critic Reviews What's this?

User Score
8.6

Universal acclaim- based on 9 Ratings

  • Summary: The first full-length studio release in over 20 years from Everything But The Girl was self-produced by the duo.
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Score distribution:
  1. Positive: 14 out of 19
  2. Negative: 0 out of 19
  1. 100
    It’s an album that makes a church of its elegant electronica: all vaulting arcs of yearning melody and glimmers of stained glass that dance upwards, to the familiar urban spire of Thorn’s beautiful, hangdog voice.
  2. Apr 21, 2023
    90
    Like all of the group’s recordings, the songs transcend the sound, and “Fuse” finds this veteran group as vital as ever.
  3. Apr 18, 2023
    80
    No more the quieter introspection and reflection of solo tracks like Hormones or Fever Dream – here Thorn and Watt are a combined force, capturing the giddy euphoria and release of the club experience.
  4. Apr 21, 2023
    80
    Ben Watt’s restrained piano and taut, anxiety-laden synths hang back so Thorn can carry the weight. She’s more than up to the task – her voice now fuller, deeper, enriched by experience, and perfectly suited to narrations about seeking light in the darkness.
  5. Apr 21, 2023
    77
    Although the tone can get a little one-note, this personal and cultural lineage deepens the poignancy of Fuse, in which Thorn and Watt broadly consider what we lose and hold on to over the course of a lifetime.
  6. May 1, 2023
    68
    Fuse lands as a welcome sampler of the Everything But the Girl sound updated to the ‘20s, but not quite the powerhouse comeback they are so clearly capable of.
  7. Apr 27, 2023
    40
    Ultimately, the record just sounds comically one-paced and disappointingly stale. As I said, Thorn’s voice is lovely, some of the little stories are smartly narrated, but it’s just nowhere near enough.

See all 19 Critic Reviews

Score distribution:
  1. Positive: 3 out of 3
  2. Mixed: 0 out of 3
  3. Negative: 0 out of 3
  1. Apr 24, 2023
    8
    Ah, Tracy Thorn. That voice.

    A full 24 years after their last full-length, Everything But The Girl miraculously return with a warm, sleek
    Ah, Tracy Thorn. That voice.

    A full 24 years after their last full-length, Everything But The Girl miraculously return with a warm, sleek ride through emotions and electronics, a twist on the sounds they've been capitalizing on since 1996's immensely popular Walking Wounded LP.

    Tracy's voice has dropped, but the quality here has not. Her older, smokier voice winds its way around the electronics like a vine around a trellis, her delivery always a thing to behold, shaping the songs around her. Standout track "Run a Red Light" showcases her aching delivery, wrapped around a plaintive melody that haunts you long after. "No One Knows We're Dancing" is a love letter to the camaraderie and community of a shared musical experience, tucking away onto a dance floor and losing yourself in the music. "Lost" is a crushing meditation on loss, a laundry-list of things one loses (in Tracy's case, a list that includes her mother).

    Elsewhere, the gorgeous, aching vibe persists, and while various songs execute the formula to greater or lesser degrees of success, I find the album ending long before it has worn out it's welcome. After 24 years of waiting, I wouldn't mind hearing her sing long into the evening. A lovely, modern Everything But The Girl. You were missed.
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  2. Apr 27, 2023
    8
    Not a fan of Everything But The Girl, and not expecting much of this album, give try to the new album Fuse and where very surprise with flowNot a fan of Everything But The Girl, and not expecting much of this album, give try to the new album Fuse and where very surprise with flow and record quality! nice album to listen while working Expand
  3. May 27, 2023
    7
    What seems to be a surprising resurrection very quickly becomes a cute exploration of the usual beats of an already forgotten essence of theWhat seems to be a surprising resurrection very quickly becomes a cute exploration of the usual beats of an already forgotten essence of the modern music. Still, I'm always happy some things exists to feed inner intentions than the masses. Expand