User Score
8.5

Universal acclaim- based on 21 Ratings

User score distribution:
  1. Positive: 18 out of 21
  2. Negative: 1 out of 21
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  1. Aug 24, 2018
    10
    Perfect guitar pop album. Not a bad song from first to last. The Replacements would be proud of Elizabeth Stokes and her bandmates!
  2. Apr 14, 2023
    10
    No fillers, this album is full of infectious hooks, bright melodies, and accessable songwriting. Amazing first album! Haven't heard a first album be this good end to end since.... maybe the Strokes? It's been a long time.
  3. Aug 10, 2018
    10
    this band f*cks, listen to this album IMMEDIATELY. super dope people and are so talented. those HARMONIES.
  4. Aug 23, 2018
    10
    Super catchy songs. Great vocals and lyrics. Just what you want from an album.
  5. Oct 29, 2019
    9
    The only thing this album lacks is originality but outside of that they have everything in spades and then some. From top to bottom this album does not lack a quality song which is amazingly impressive but even more so is that some songs just burst with energy and depth. The drummer is the heart of this album who drives you along while you are soothed by the vocals of Stokes and then youThe only thing this album lacks is originality but outside of that they have everything in spades and then some. From top to bottom this album does not lack a quality song which is amazingly impressive but even more so is that some songs just burst with energy and depth. The drummer is the heart of this album who drives you along while you are soothed by the vocals of Stokes and then you get hooked by the catchy rhythms. A truly quality LP and an even more amazing full length debut. Many top band's greatest hits albums envy this debut. Expand
Metascore
83

Universal acclaim - based on 11 Critic Reviews

Critic score distribution:
  1. Positive: 10 out of 11
  2. Negative: 0 out of 11
  1. Sep 4, 2018
    60
    Stokes lacks Barnett’s songwriting diversity, worldliness and clever wordplay; too many of the songs on Future Me Hates Me are interchangeable, built on quiet, jangly verses and fuzz-button sing-along choruses that lament the usual litany of “I” and “me” woes.
  2. Mojo
    Aug 20, 2018
    80
    This is taut, Blondie-cool guitar-pop with a finger on the self-destruct tab. [Oct 2018, p.90]
  3. Aug 20, 2018
    80
    The whole album is vastly enjoyable, but it finishes in an especially strong way in a sequence that starts with exuberant, pop-buzzing “Happy Unhappy,” continues into the gorgeous, lushly harmonized, anthemic “River Run Lvl 1” and ends in that “Whatever” version gushed over two paragraphs above.